Showing posts with label African American Museum. Show all posts
Showing posts with label African American Museum. Show all posts

Monday, November 11, 2019

Ally financial donates $1 million to National Museum of African American History & Culture

Ally Financial announced a $1 million donation to the Smithsonian's National Museum of African American History and Culture on Wednesday, Oct. 16, with a check presentation by Ally Chief Executive Officer Jeffrey J. Brown to interim director of the museum, Spencer Crew. The museum, located on the National Mall in Washington, D.C., is the nation's largest museum devoted exclusively to the documentation of African American life, history and culture, and its impact on the world today.

This donation supports Ally's commitment to advancing diversity and inclusion through education, understanding and action.

"Championing diversity and inclusion is a cornerstone of our culture at Ally and at the foundation of what it means to do it right," said Brown. "An important part of this includes education and an understanding of the rich fabric of diversity. The National Museum of African American History and Culture tells the story of America through the lens of black history and culture, and we are proud to be able to help support them in that mission."

Brown was joined for the check presentation by 24 students from historically black colleges and universities who were invited by Ally to tour the museum. Prior to the museum tour the students participated in a learning session on the topic of design thinking that was led by Ally.

The students are in Washington, D.C. for the Thurgood Marshall College Fund (TMCF) 18th Annual Leadership Institute. TMCF is the nation's largest organization exclusively representing the black college community. Brown has been named CEO of the Year by TMCF and will be honored at the 32nd Anniversary Awards Gala on Saturday, Oct. 19.

About Ally Financial Inc.

Ally Financial Inc. (NYSE: ALLY) is a leading digital financial-services company with $180.4 billion in assets as of June 30, 2019. As a customer-centric company with passionate customer service and innovative financial solutions, we are relentlessly focused on "Doing It Right" and being a trusted financial-services provider to our consumer, commercial, and corporate customers. We are one of the largest full-service automotive-finance operations in the country and offer a wide range of financial services and insurance products to automotive dealerships and consumers. Our award-winning online bank (Ally Bank, Member FDIC and Equal Housing Lender) offers mortgage-lending services and a variety of deposit and other banking products, including savings, money-market, and checking accounts, certificates of deposit (CDs), and individual retirement accounts (IRAs). Additionally, we offer securities-brokerage and investment-advisory services through Ally Invest. Our robust corporate finance business offers capital for equity sponsors and middle-market companies.

Friday, July 19, 2019

U.S. Bank invests $1 million with the National Museum of African American History and Culture

U.S. Bank announces a $1 million investment with the Smithsonian's National Museum of African American History and Culture (NMAAHC) in Washington, D.C. With this five-year investment, U.S. Bank will join the prestigious Corporate Leadership Council, a community of engaged corporate donors whose values reflect a commitment to diversity, equity and inclusion.

“Honoring and celebrating African American culture is an important part of American history,” said Andy Cecere, Chairman, President and CEO of U.S. Bank. “At U.S. Bank, we are committed to diversity, equity and inclusion and the arts – which brings us closer together and strengthens our communities. Through this support of the National Museum, we hope these historical stories and rich cultural experiences will continue to inspire many for generations.”

The National Museum of African American History and Culture was established by Act of Congress in 2003, following decades of efforts to promote and highlight the contributions of African Americans. The Museum opened to the public on September 24, 2016, as the 19th and newest museum of the Smithsonian Institution and stands upon four pillars. One pillar – to help all Americans see how their stories, histories and cultures are shaped and informed by global influences aligns with U.S. Bank employees’ shared core value of drawing strength from diversity.

About the National Museum of African American History and Culture

Since opening Sept. 24, 2016, the National Museum of African American History and Culture has welcomed more than 6 million visitors. Occupying a prominent location next to the Washington Monument on the National Mall in Washington, D.C., the nearly 400,000-square-foot museum is the nation’s largest and most comprehensive cultural destination devoted exclusively to exploring, documenting and showcasing the African American story and its impact on American and world history. For more information about the museum, visit nmaahc.si.edu, follow @NMAAHC on Twitter, Facebook, and Instagram, or call Smithsonian information at (202) 633-1000.

About U.S. Bank

U.S. Bancorp, with 74,000 employees and $476 billion in assets as of March 31, 2019, is the parent company of U.S. Bank, the fifth-largest commercial bank in the United States. The Minneapolis-based bank blends its relationship teams, branches and ATM network with mobile and online tools that allow customers to bank how, when and where they prefer. U.S. Bank is committed to serving its millions of retail, business, wealth management, payment, commercial and corporate, and investment services customers across the country and around the world as a trusted financial partner, a commitment recognized by the Ethisphere Institute naming the bank a 2019 World’s Most Ethical Company. Visit U.S. Bank at usbank.com or follow on social media to stay up to date with company news.

Contact

Susan Beatty, U.S. Bank

612-303-9229; susan.beatty@usbank.com

Saturday, July 06, 2019

Dr. Spencer Crew named Interim Director of the National Museum of African American History & Culture


Spencer Crew is serving as the Interim Director of the Smithsonian’s National Museum of African American History and Culture (NMAAHC). He is also the Clarence J. Robinson Professor of American, African American and Public History at George Mason University. 
Spencer has worked in public history institutions for more than twenty-five years.  He served as president of the National Underground Railroad Freedom Center for six years and worked at the National Museum of American History (NMAH), Smithsonian Institution for twenty years.  Nine of those years, he served as the director of NMAH.  At each of those institutions, he sought to make history accessible to the public through innovative and inclusive exhibitions and public programs. 
His most important exhibition was the ground breaking “Field to Factory: Afro-American Migration 1915 – 1940” which generated a national discussion about migration, race, and creating historical exhibitions.    He also co-curated “The American Presidency A Glorious Burden” which is one of the Smithsonian’s most popular exhibitions. The National Underground Railroad Freedom Center has attracted worldwide attention because of the quality of its presentations and focus on race, interracial cooperation, and issues of contemporary slavery.
Crew has published extensively in the areas of African American and Public History.  Among his publications are Field to Factory: Afro-American Migration 1915 - 1940 (1987), and Black Life in Secondary Cities: A Comparative Analysis of the Black Communities of Camden and Elizabeth, N.J. 1860 - 1920 (1993). He co-authored The American Presidency: A Glorious Burden (2002), Unchained Memories: Readings From The Slave Narratives (2002), Slave Culture: A Documentary Collection of the Slave Narratives from the Federal Writers' Project (2014), and Memories of the Enslaved: Voices from the Slave Narratives (2015).
Crew is an active member of the academic and cultural communities, serving on many boards that work to generate enthusiasm for history among the public. He is the Past Chair of the National Council for History Education, Trustee Emeritus of the Board of the National Trust for Historic Preservation, and served on the Nominating Board of the Organization of American Historians and the Board of the American Association of Museums.   
He is a graduate of Brown University and holds a master's degree and a doctorate from Rutgers University. He is a member of the Rutgers Hall of Distinguished Alumni.


Thursday, October 04, 2018

Passes once again required for admission to National Museum of African American History and Culture


The National Museum of African-American History and Culture is going back to its traditional admission system for the rest of the year.
Last month, the hugely popular museum held what it called Walk-Up Weekdays, but with the passing of September it returned to requiring passes that are only good at a particular date and time, and obtained in advance, to get in.
The museum will do Walk-Up Weekdays again in January. The timed passes for January — which apply to the weekends — will be made available Wednesday, Oct. 3, at 9 a.m.
The museum also makes some same-day passes available at 6:30 a.m. each day until they run out, and a limited number of walk-up tickets are available at 1 p.m. each weekday.
All tickets are free. You can check availability on the museum’s website.

[SOURCE: WTOP]


Wednesday, January 04, 2017

Check out the National Museum of African American History and Culture: A Souvenir Book

While I'm sure many of us have future plans to go to the National Museum of African American History and Culture, our very busy lives and or finances could delay or stop that trip entirely. That doesn't mean that we can't get a look at the museum in the meantime through it's souvenir book.

SYNOPSIS: National Museum of African American History and Culture: A Souvenir Book

This souvenir book showcases some of the most influential and important treasures of the National Museum of African American History and Culture's collections. These include a hymn book owned by Harriet Tubman; ankle shackles used to restrain enslaved people on ships during the Middle Passage; a dress that Rosa Parks was making shortly before she was arrested; a vintage, open-cockpit Tuskegee Airmen trainer plane; Muhammad Ali's headgear; an 1835 Bill of Sale enslaving a young girl named Polly; and Chuck Berry's Cadillac. These objects tell us the full story of African American history, of triumphs and tragedies and highs and lows. This book, like the museum it represents, uses artifacts of African American history and culture as a lens into what it means to be an American.

CHECK OUT THE BOOK

Saturday, October 01, 2016

Carnival Corporation to Donate $2 Million to the National Museum of African American History & Culture




Carnival Corporation, through its philanthropic arm, Carnival Foundation, is donating $2 million to the Smithsonian Institution's National Museum of African American History & Culture.  Eleven years in the making and built at a cost of $540 million, the museum opened Sept. 24 on the National Mall with a dedication ceremony featuring remarks by President Barack Obama and a three-day music and spoken-word festival called "Freedom Sounds: A Community Celebration." In recognition of the gift, NMAAHC has designated Carnival Corporation a Founding Donor of the museum.
"The National Museum of African American History & Culture is a celebration of the many contributions African Americans have made to the history, culture and community of the United States," said Linda Coll, executive director of Carnival Foundation. "The organizations that Carnival Corporation supports through Carnival Foundation reflect the great value the company places on diversity and inclusion in the communities that we touch, and we are honored to be a part of this new museum."
The 390,000-square-foot National Museum of African American History & Culture is located on a 5-acre site adjacent to the Washington Monument. Its 12 inaugural exhibitions feature more than 3,000 objects and cover topics ranging from military and sports history to performing arts and the western and northern migration.   
Each day of the three-day "Freedom Sounds: A Community Celebration" had a theme: Friday was "Homecoming," Saturday was "Celebration" and Sunday was "Call and Response." The events and concerts highlighted music traditions such as jazz, R&B, gospel, folk, classical, New Orleans brass band, Afro-Latin jazz and hip-hop.

Sunday, September 25, 2016

Stamp to be released in honor of opening of National Museum of African American History and Culture

The United States Postal Service has revealed designs for several U.S. stamps that will be issued in 2017. One of those stamps will commemorate the opening of the National Museum of African American History and Culture.

Celebrations for the opening of the Smithsonian National Museum of African American History and Culture were underway as news of this planned forever stamp was revealed. The museum, on the National Mall, opened to the public with a dedication ceremony on the morning of Sept. 24

Established by an Act of Congress in 2003, the museum is described as the only national museum devoted exclusively to the documentation of African-American life, history, and culture.

“The National Museum of African American History and Culture will be a place where all Americans can learn about the richness and diversity of the African American experience, what it means to their lives and how it helped us shape this nation,” the museum notes.

The stamp is based on a photograph of the museum by Alan Karchmer showing a view of the northwest corner of the building. USPS art director Antonio Alcala designed the stamp.

Saturday, September 24, 2016

Pres.Obama: Remarks at Reception for the National Museum of African American History and Culture





President Obama made the following remarks at a reception in honor of the grand opening of the National Museum of African American History and Culture.
THE PRESIDENT: Well, welcome, everybody. (Applause.) This is an exceptionally good-looking group. (Laughter.) And there are just so many friends here that it feels like one of our house parties. (Laughter.) But there’s no dancing this afternoon. We’re here just to acknowledge what an extraordinary achievement has been accomplished by Mr. Lonnie Bunch -- (applause) -- and everybody who helped make this day possible.
Now, I want to just talk about Lonnie for a second. When Lonnie first came here from Chicago to start work on this museum a decade ago, he could not even find somebody to give him a key to his office. (Laughter.) Nobody had heard of this museum. And now you cannot miss it -- a breathtaking new building right in the heart of the National Mall. And that is what we call progress. It could not have been done without the persistence, the wisdom, the dedication, the savvy, the ability to make people feel guilty -- (laughter) -- the begging, the deal-making, and just the general street smarts of Lonnie and his entire team. So please give him a big round of applause for all the work that he has done. (Applause.)
But, of course, this is also about more than Lonnie. This is about people who, for more than a century, advocated and organized, and raised funds, and donated artifacts so that the story of the African American experience could take its rightful place in our national memory. It’s a story that is full of tragedy and setbacks, but also great joy and great victories. And it is a story that is not just part of the past, but it is alive and well today in every corner of America. And that’s certainly true today in this house -- a house that was built by slaves.
Now, I can’t name everybody that is here, but I’m going to have to give you a little bit of a taste. This room is like a living museum of its own. Right now, Madame Tussauds would be very jealous. (Laughter.)
We’ve got icons of the entertainment industry like Quincy Jones -- (applause) -- and Dick Gregory and Phylicia Rashad. (Applause.) We’ve got the first black woman in space, Mae Jemison. (Applause.) And we have the woman who owns the universe, Oprah Winfrey. (Laughter and applause.) We’ve got those drum majors for justice, like John Lewis and Andrew Young and C.T. Vivian, and Jesse Jackson. (Applause.) And we’ve got the next generation of warriors for justice like Brittany Packnett and DeRay Mckesson. We’ve got personal heroes of mine like Harry Belafonte -- (applause) -- who still is the best-looking man in the room at 90-something years old. (Laughter.) I’m just telling the truth. (Laughter.)
So this is an extraordinary group. But the thing about this museum is that it’s more about -- it’s more than just telling stories about the famous. It’s not just about the icons. There’s plenty of space for Harriet Tubman and Dr. King and Muhammed Ali. But what makes the museum so powerful and so visceral is that it’s the story of all of us -- the folks whose names you never heard of, but whose contributions, day after day, decade after decade, combined to push us forward and the entire nation forward.
It’s the maids who decided, you know what, I’m tired of segregation and I’m going to walk for my freedom. It’s the porters who not only worked tirelessly to support their families, but ultimately helped bring about the organization that led to better working conditions for all Americans here in the United States. It’s about our moms and grandparents and uncles and aunts who just did the right thing and raised great families, despite assaults on their dignity on every single day.
You see it in the dignity of the artifacts that are in the museum -- the dignity of an enslaved family, what it must have been like to try to live in that tiny cabin. Those slaves who dared to marry, even though it was illegal for them to do so. Folks who were forced to sit in the back of a train, but went about their business anyway, and tried to instill in their children as sense that this isn’t who we are, and there’s going to be more someday.
You see it in the men and the women who rushed to the warfronts to secure all of our freedom, understanding that when they came home they might not yet be free. The students who walked passed angry crowds the integrate our schools. The families huddling around the Bible to steel their faith for the challenges ahead. That quite, determined dignity and hope.
Everybody here has somebody in mind when we think of those kinds of folks -- who couldn't make it to this room, but whose stories are our stories, and whose stories are represented at this museum. It might be an ancestor who ran to freedom, or an aunt or uncle who pushed back against Jim Crow, or a friend who marched or sat in. Or it might be young people who were organizing against cynicism today.
But the point is that all of us cannot forget that the only reason that we're standing here is because somebody, somewhere stood up for us. Stood up when it was risky. Stood up when it was not popular. And somehow, standing up together, managed to change the world.
You know, the timing of this is fascinating. (Applause.) Because in so many ways, it is the best of times, but in many ways these are also troubled times. History doesn’t always move in a straight line. And without vigilance, we can go backwards as well as forwards.
And so part of the reason that I am so happy the museum is opening this weekend is because it allows all of us as Americans to put our current circumstances in a historical context. My hope is that, as people are seeing what’s happened in Tulsa or Charlotte on television, and perhaps are less familiar with not only the history of the African American experience but also how recent some of these challenges have been, upon visiting the museum, may step back and say, I understand. I sympathize. I empathize. I can see why folks might feel angry and I want to be part of the solution as opposed to resisting change.
My hope is that black folks watching the same images on television, and then seeing the history represented at this museum, can say to themselves, the struggles we’re going through today are connected to the past, and yet, all that progress we’ve made tells me that I cannot and will not sink into despair, because if we join hands, and we do things right, if we maintain our dignity, and we continue to appeal to the better angels of this nation, progress will be made. (Applause.)
I was telling Michelle -- many of you know I get 10 letters a day from constituents, and it’s a great way for me to keep a pulse on how folks other than the pundits on cable TV are thinking. (Laughter.) And I know it’s a representative group because sometimes people say, Mr. President, we just love you and we especially love Michelle. (Laughter.) And you’re doing such a great job and thank you. And then there are others who write and say, Mr. President, you’re an idiot. (Laughter.) And you’ve ruined this country. And so I know I’m getting a real sampling of American public opinion.
Last night, as I was reading through my letters, I’d say about half of them said, Mr. President, why are you always against police, and why aren’t you doing enough to deal with these rioters and the violence? And then the other half were some black folks saying, Mr. President, why aren’t you doing something about the police? And when are we actually going to get justice?
And I understand the nature of that argument because this is a dialogue we’ve been having for 400 years. And the fact of the matter is, is that one of the challenges we have in generating a constructive discussion about how to solve these problems is because what people see on television and what they hear on the radio is bereft of context and ignores history, and so people are just responding as if none of what's represented in this museum ever happened. And that's true for all of us, not just some of us.
And so when I imagine children -- white, black, Latino, Asian, Native American -- wandering through that museum, and sitting at that lunch counter, and imagining what it would be like to stand on that auction block, and then also looking at Shaq's shoes -- (laughter) -- and Chuck Berry's red Cadillac, my hope is, is that this complicated, difficult, sometimes harrowing, but I believe ultimately triumphant story will help us talk to each other, and, more important, listen to each other, and even more important, see each other, and recognize the common humanity that makes America what it is. (Applause.)
So that's a lot of weight to put on one institution.
MRS. OBAMA: We can do it. (Laughter
THE PRESIDENT: But Michelle and I, having taken Michelle's mom and our daughters to see it, we feel confident that it will not just meet expectations, but far exceed them. And it would not have happened without all of you. So you should be very, very proud.
Congratulations. God bless you. God bless America. (Applause.) Thank you. (Applause.)

Monday, September 12, 2016

Rep. John Lewis on "holding back tears" at African American museum

Georgia Congressman John Lewis has risked his life many times in the fight for civil rights. He has been a central figure in that movement for more than half a century and has fought in Congress for 15 years to create the National Museum of African American History and Culture. Lewis joins "CBS This Morning" to discuss who he was inspired by and recount his experiences. Watch that interview below:

Tuesday, September 06, 2016

Grand Opening Schedule for the National Museum of African American History and Culture



Here is the schedule for the weekend long grand opening celebration for the National Museum of African American History and Culture beginning September 23, 2016.

On September 6th at 9:00 a.m. EDT, additional Timed Entry Passes for Grand Opening Weekend Saturday, September 24th and Sunday, September 25th, will be made available. The Museum will also offer Timed Passes for extended hours Monday, September 26th through Sunday, October 2nd. Timed Passes for the months of November and December will also be released Tuesday. Learn more about the timed passes and purchase them here: https://nmaahc.si.edu/visit/passes

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Grand Opening Schedule

Freedom Sounds: A Community Celebration


Washington Monument Grounds

Friday, September 23, 2016, 12:00 p.m. – 5:00 p.m.

Saturday, September 24, 2016, 12:00 p.m. – 9:00 p.m.

Sunday, September 25, 2016, 12:00 p.m. – 9:00 p.m.

Beginning Friday, September 23, 2016, on the Washington Monument grounds, the National Museum of African American History and Culture presents Freedom Sounds: A Community Celebration. Conceived and presented in festival fashion, Freedom Sounds programming will include musical performances, spoken word, oral history activities and evening concerts. A drum circle, storytelling, and interactive workshops provide opportunities for families and large groups of the public to explore and celebrate the museum’s rich content and stories. This three-day music festival presents artists who represent the numerous cultural threads encompassing our shared African diasporic histories and traditions. Two tented stages will offer local, national and international performers, contributing to NMAAHC’s Grand Opening Weekend. The Freedom Sounds festival continues on Saturday and closes the Grand Opening Weekend on Sunday evening, September 25, 2016. Designed to accommodate the crowds anticipated; the festival is free and open to the public.

Dedication Ceremony


National Museum of African American History and Culture

Saturday, September 24, 2016

9:00 a.m. Gathering and Musical Prelude

10:00 a.m. Dedication Ceremony Begins

On Saturday, September 24, 2016, the public witnesses the outdoor Dedication Ceremony of the National Museum of African American History and Culture. In the afternoon, the museum officially opens to the public. Tickets are not required for the public to view the outdoor Dedication Ceremony. Extensive large-screen viewing areas are well-positioned for crowds during the Dedication Ceremony.

Museum Opens to the Public


National Museum of African American History and Culture

Saturday, September 24, 2016, 1:00 p.m. – 8:00 p.m.

Sunday, September 25, 2016, 7:00 a.m. – Midnight

The Museum officially opens to the public at 2pm, following the Dedication Ceremony on Saturday, September 24, 2016. The museum will keep its doors open for extended hours Sunday, September 25, from 10 a.m. to Midnight.

Monday, August 08, 2016

Micheal Jordan pledges 5 million to National Museum of African American History and Culture

Basketball icon Michael Jordan has donated $5 million to the National Museum of African American History and Culture, museum officials announced Monday.

The gift, the largest from a sports figure to the 19th Smithsonian museum, pushes private donations to the museum to $278 million. Including federal aid, the museum, which President Obama will open Sept. 24, has raised more than $548 million.

The Chicago Bulls star also gave a jersey that he wore during the 1996 NBA Finals to the museum’s permanent collection. In recognition of the gifts, the museum will name a section of its sports gallery the Michael Jordan Hall.

“I am grateful for the opportunity to support this museum,” Jordan said in a statement. “I also am indebted to the historic contributions of community leaders and athletes such as Jesse Owens, whose talent, commitment and perseverance broke racial barriers and laid the groundwork for the successful careers of so many African Americans in athletics and beyond.”

[SOURCE]

Saturday, April 02, 2016

Smithsonian to acknowledge Cosby allegations at new museum

The Smithsonian now plans to acknowledge the sexual-assault allegations against Bill Cosby at its new African-American history museum on the National Mall, which will display two items related to Cosby's career in television and standup comedy.

The National Museum of African American History and Culture, which opens Sept. 24, will include the cover of a Cosby comedy album and a comic book from his pioneering TV drama "I Spy" as part of its exhibit on black entertainers and artists. Initially, the museum planned to include historical facts about the items without mentioning the allegations, drawing criticism from some Cosby accusers.

The museum's founding director, Lonnie Bunch, said in a statement Thursday that the display would address Cosby's alleged behavior, although he did not specify exactly how.

"Like all of history, our interpretation of Bill Cosby is a work in progress, something that will continue to evolve as new evidence and insights come to the fore," Bunch said. "Visitors will leave the exhibition knowing more about Mr. Cosby's impact on American entertainment, while recognizing that his legacy has been severely damaged by the recent accusations."

[SOURCE]