Smithsonian American Art Museum Names Dalila Scruggs as the Inaugural Augusta Savage Curator of African American Art

The Smithsonian American Art Museum announced today that Dalila Scruggs will join its curatorial team as the Augusta Savage Curator of African American Art. Scruggs’s expertise ranges across different types of media—including painting, prints, sculpture and photography—from the 19th- and 20th centuries. In her new role, Scruggs will help shape the museum’s exhibition program and collecting priorities as they relate broadly to African American art, a longstanding area of strength of the museum’s holdings distinguished by its depth and range. She will also contribute to “American Voices and Visions,” a major cross-departmental initiative to comprehensively reinstall the museum’s collection. She begins work at the museum April 22.

The position is named to honor Savage’s legacy as an artist, teacher and community art program director in Harlem in the 1930s. Fittingly, Scruggs has served in education and curatorial roles and has sought to draw on her experience as a museum educator to cultivate a curatorial practice that is visitor- and object-centered.

“I am delighted to welcome Dalila Scruggs to SAAM as the inaugural Augusta Savage Curator of African American Art,” said Stephanie Stebich, the Margaret and Terry Stent Director of the Smithsonian American Art Museum. “SAAM is home to one of the most significant collections of African American art in the world, and I am so pleased that Dr. Scruggs will bring fresh, thoughtful analysis to these works that evoke themes both universal and specific to the African American and the American experience.”

Scruggs comes to the museum from the Schomburg Center for Research in Black Culture, where she has been the curator for photography and prints since 2021. She also has served as a guest curator at the Brooklyn Museum since 2020. Previously, she has held positions at the Paul R. Jones Collection of American Art at the University of Alabama as a consulting curator, at the Brooklyn Museum as an assistant curator of American art and at the Williams College Museum of Art as a curatorial fellow.

Her publications include “Activism in Exile: Elizabeth Catlett’s Mask for Whites,” a contribution to the scholarly journal American Art, published by the Smithsonian American Art Museum with the University of Chicago Press, and several exhibition catalogs, including contributions to Brooklyn Museum: Highlights collections handbook and an entry for the upcoming The Awe of the Arctic: A Visual History for the New York Public Library.

Scruggs joins the curatorial department led by Randall Griffey, the museum’s head curator and joins a team of 11 curators at the museum.

Scruggs graduated from Cornell University with a bachelor’s degree in art history and earned a doctorate from Harvard University in the history of art and architecture. Her dissertation “’The Love of Liberty Has Brought Us Here’: The American Colonization Society and the Imaging of African-American Settlers in Liberia, West Africa” focuses on African American daguerreotypist August Washington and his photographs in service to the American Colonization Society, a 19th-century reform organization dedicated to sending African Americans to Liberia, West Africa as an alternative to promoting radical abolition or perpetual slavery in the United States. From 2007 to 2008, Scruggs was a Terra Foundation for American Art Predoctoral Fellow as part of the Smithsonian American Art Museum’s prestigious fellowship program.

The Augusta Savage Curator of African American Art is generously funded by anonymous donors with a $5 million endowment gift to the museum. The donors requested the position be named for the trailblazing artist and educator to elevate her legacy.