Sunday, November 20, 2016

Andre Ward defeats Sergey Kovalev to become light heavyweight champion

By George L. Cook III AfricanAmericanReports.Com

Andre Ward showed the true heart of a champion by getting up off the canvas after a second round knockdown and going the full 12 rounds to defeat fellow champion Sergey Kovalev.

In what is sure to be a fight of the year candidate, Ward outscored 114-113 on all three judges cards in a unanimous decision to become the new light heavyweight champ. He now holds the WBA, WBO, and IBF belts. His professional boxing record is now 31-0 and he is now considered the best pound for pound boxer in the sport.

Ward joins champions such as Thomas Hearns, Roy Jones Jr. and Sugar Ray Leonard to win titles at both super middleweight and light heavyweight.

Ward has already stated that he is open to giving Kovalev a rematch. This being boxing we will see if that ever happens but congratulations to the undisputed champ, Andre Ward.

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LeBron James contributes $2.5 million to Smithsonian Muhammad Ali display

The Smithsonian’s National Museum of African American History and Culture announced today that LeBron James will give $2.5 million to support the museum and its presentation titled “Muhammad Ali: A Force for Change.” On view since the museum’s September opening, it tells the story of how Ali’s contributions transcended the world of sport—his commitment to challenging racial barriers helped lay the groundwork for the successful careers of so many African Americans in athletics and beyond.

James’ business partner Maverick Carter will also be part of the $2.5 million contribution to the Ali exhibit. With this gift, the LeBron James Family Foundation and Carter will join the list of founding donors for NMAAHC.

“Every professional athlete, regardless of race and gender, owes a huge debt of gratitude to Muhammad Ali,” James said. “His legacy deserves to be studied and revered by every generation. I am honored to partner with the Smithsonian to celebrate one of the most influential figures in our nation’s history who, along with Jackie Robinson and Jesse Owens, used the power of sports to advance our civil rights.”

“I am overwhelmed by the incredible generosity LeBron James has shown to the Smithsonian’s National Museum of African American History and Culture and to Muhammad’s legacy,” said Lonnie Ali, Ali’s widow. “This exhibit will enable children visiting the Smithsonian to learn more about Muhammad’s work outside of the ring, particularly his humanitarian work and stance on social justice for all people. Thank you to LeBron James and the Smithsonian for making this possible. I know that if Muhammad was alive today he would be honored.”

[SOURCE]

Saturday, November 19, 2016

New Documentary: Tell Them We Are Rising: The Story of Historically Black Colleges and Universities

Tell Them We Are Rising: The Story of Historically Black Colleges and Universities is the first and only feature documentary and multi-platform project to research, gather, and share a rich mosaic of stories that relay the history of HBCUs.

Tell Them We Are Rising is being produced by Firelight Films and directed by master documentarian Stanley Nelson, producer of The Black Panthers: Vanguard of the Revolution and other award-winning films that illuminate the rich experiences of African-Americans. It is slated to air in 2017 on the PBS prime-time series Independent Lens. The project is funded with support from the National Endowment for the Humanities, the Corporation for Public Broadcasting and the Lumina Foundation.

The telling of this story is long overdue. HBCUs have been at the margins of the American collective conscience despite their role in shaping Black life, dismantling desegregation and birthing and growing the Black middle class. Tell Them We Are Rising’s compelling narrative and original footage will show Americans that, HBCUs have touched all Americans—regardless of race. HBCUs deserve respect, support and a prominent place in our historical and contemporary understanding of higher education.

This project comes at the right time. HBCUs are at a crossroads. Many are in financial stress and face possible closure. Many Americans question their relevance in a post-segregated nation. Tell Them We Are Rising will provide a national forum to explore and discuss a path forward for the nation’s 100-plus HBCUs.

Tell Them We Are Rising is a story for everyone. The film and supporting multimedia platform will expertly connect snapshots from a long and rich history to contemporary understandings of HBCUs. It will inspire debate, conversation, pride and memories that are necessary to understand the past and chart the future of HBCUs.

You can be part of Tell Them We Are Rising. Firelight Films needs your help to create the #HBCURising Yearbook, a crowd-sourced archive highlighting HBCU life from the first school’s founding to present day. Please share anything that connects you and your family to the unique HBCU experience including: photos, articles, grandparent and/or great grand-parent letters and journal entries, videos, transcripts, and/or short stories of personal encounters with HBCU students or at HBCUs.

Forget what you think you know. Tell Them We Are Rising will shed new light on the inspirational path HBCUs have traveled from their inception as schools to educate the families of formerly enslaved Americans to the challenges they face today for investment and understanding.

Scarlet & Black: Rutgers University acknowledges it's past ties to slavery


'Scarlet and Black: Slavery and Dispossession in Rutgers History' Brings University’s Untold Story Out of the Shadows

New book published by Rutgers University Press was the result of work by the Committee on Enslaved and Disenfranchised Populations in Rutgers History
Photo: Rutgers Special Collections and University Archives
Scarlet and Black brings out of the shadows the story of Will, a slave who laid the foundation of Old Queens.
Rutgers University released the findings of eight months of research that reveal an untold history of some of the institution’s founders as slave owners and the displacement of the Native Americans who once occupied land that was later transferred to the college.
The work, contained in the book Scarlet and Black, Volume 1: Slavery and Dispossession in Rutgers History, brings out of the shadows the story of Will, a slave who laid the foundation of Old Queens. The research, which spans the mid-18th through mid-19th centuries, also reveals that abolitionist and women’s rights activist Sojourner Truth and her parents were owned by the family of Rutgers’ first president Jacob Hardenbergh.
The project was the result of an initiative by Rutgers University-New Brunswick Chancellor Richard L. Edwards. In the fall of 2015, Edwards appointed the Committee on Enslaved and Disenfranchised Populations in Rutgers History, which grew out of a meeting with a group of students concerned about improving the racial and cultural climate on campus.
“This work shows that we are not afraid to look at ourselves and our early history,” Edwards said. “We are a large public university that is one of the most diverse in the country and we think we need to understand our history and not be ashamed of it, but to be able to face it in a forthright way.”
“Like many other universities whose origins predate the United States Constitution and the founding of our country, the committee has explored aspects of our history that are difficult and complex and I applaud them for it,” said Rutgers University President Robert L. Barchi.  “Their findings provide a fuller understanding of the institution’s early days, and by doing so have drawn a contrast between the Colonial-era Queen’s College of 1766 and the Rutgers–New Brunswick of 2016, which is one of the most diverse and inclusive major public research universities in the country.”
Rutgers joins other Colonial-era colleges in confronting its past, including Georgetown, Yale, Brown and Harvard. The committee worked to create a fuller picture of Rutgers’ history as the university celebrated its 250th anniversary and reflected on a familiar story: the founding by leaders of the Dutch Reformed Church, the role of benefactor Col. Henry Rutgers and the university’s identity as a land grant institution.
Deborah Gray White, a Board of Governors distinguished professor of history and chair of the Committee on Enslaved and Disenfranchised Populations in Rutgers History, said she would like different people to take away different lessons from their work.
“I want our African-American students to be proud of Will and to understand that their ancestry helped build the university,’’ she said. “I want New Jerseyans and Americans to understand that African Americans were integral to this nation even though we came here in chains, and we helped build America.
“This is not a way to tear down the university or diminish it, but it is a way to celebrate it and go forward,’’ White said.
Photo: Rutgers Special Collections and University Archives
Scarlet and Black puts that history in a new context by bringing into the light the founders’ connections to slavery and the story of how the university benefited from the displacement of Native Americans.
“It is often the case that the accepted history of an institution only explains part of its true history, but we know there are many threads to explore ,’’ Edwards said. “Some of our founders were heavily involved with Dutch Reformed Church and prominent members of the community – there were many facets to these figures. But among these facets was their involvement in slavery and the slave economy.”
Their names are emblazoned on academic buildings and surrounding public streets and are indelible in Rutgers’ identity. Founder Philip Livingston, who was a slave trader and slave owner; the first instructor Frederick Frelinghuysen, who owned slaves and whose family was deeply connected to the beginning of Rutgers; and trustees Col. John Neilson and Philip French are just a few whose connection to slavery is brought to light in the book. The university’s namesake Henry Rutgers was a slaveholder who, like several of the founders, became active in the American Colonization Society – an organization that advocated for resettling freed slaves in Africa.
The story of Rutgers’ ties to slavery wasn’t deeply hidden. The students who met with Edwards pointed to Craig Steven Wilder’s book Ebony and Ivy: Race, Slavery, and the Troubled History of America’s Universities, which makes reference to some of Rutgers’ founding families.
A team of faculty, graduate students and undergraduates sifted through records in Rutgers Libraries Special Collections and University Archives, the Sage Library at the New Brunswick Theological Seminary and traveled to the state archives in Trenton and the National Archives in Washington, D.C., to piece together the forgotten threads of Rutgers’ founding. Students delved through the wills, speeches, journals and property records of Rutgers founders and early trustees. They read through manumission records – the documents slave owners filed to grant freedom to the enslaved – analyzed newspapers ads for the sale of slaves and, in rare instances, had slave narratives to provide missing voices in Rutgers’ history.
All the records left behind were in colonial script adding to students’ challenge. They meticulously transcribed the documents they found, including a receipt book for the building of Old Queens, which now houses the president’s office and other administrative departments at Rutgers.
Photo: Nick Romanenko/Rutgers University
Deborah Gray White, chair of the Committee on Enslaved and Disenfranchised Populations in Rutgers History 
In one of its first few pages, the receipt book reveals payments to local New Brunswick doctor Jacob Dunham “for the labor of his negro.” The slave’s identity would have been likely lost to history if Dunham had not kept detailed records of people who owed him money, which were preserved in the Rutgers archives.  One of the report’s recommendations includes placing a plaque at Old Queens to commemorate Will’s story.
“Not many people know this history,” said Marisa Fuentes, an associate professor in the departments of Women’s and Gender Studies and History and co-editor of Scarlet and Black.
“Walking through Old Queens and knowing who built the building, you think about all the bodies, the ghosts, who linger in that space that we haven’t ever heard about. It is the power of knowledge that transforms the space for you.”
As Edwards learned about the extent of the research and information uncovered, he realized the need for a permanent record of the work. In a little over a year’s time, the committee produced the book that includes seven chapters examining two threads of Rutgers’ history: the university’s ties to Native American land and deep connection to slavery.
The book tells the story of the Lenni Lenape Indians who were mostly displaced from New Jersey decades before the university’s founding, as well as those few who still lived in Central Jersey at the time the school was created, and whose young people were sent to an Indian boarding school in Connecticut rather than being welcomed at Queen’s College during its first decade. Scarlet and Black also explores how Rutgers – like all land grant universities – benefitted from the Morrill Act of 1862 – the federal program that funded schools for the study of agriculture and the mechanical arts through the sale of Indian land out west.
The work examining Rutgers history is expected to continue. Edwards referred to Scarlet and Black as the first volume and is creating a post-doctoral position charged with examining the experiences of African Americans and Native Americans at the university through the 20th century.
Recommendations made by the committee include:
  • Placing historical markers around campus that commemorate people such as Will
  • Establish Rutgers physical and virtual tours which incorporate the material of Scarlet and Black
  • Establish retention scholarships to increase the graduation rates of “at risk” students.
  • Continue the research of Scarlet and Black
  • Consider naming some of the new buildings after contemporary, or historically, prominent African Americans and Native Americans; consider renaming one building.
The full list of recommendations can be found at scarletandblack.rutgers.edu. The university will review and then respond to the committee’s recommendations. 
 “I am proud of the institution for taking charge, doing the project and making a pledge that this is important,” said Beatrice Adams, a graduate student who studies African-American history and history of the American South and assisted with the research for Scarlet and Black.
“I think this report speaks volumes that this doesn't have to be something administrators and professors are doing begrudgingly, but that administrators and professors are doing this because they think it’s something important to be said,’’ Adams said.

For media inquiries contact Zach Hosseini at hosseini@oldqueens.rutgers.edu, 848-932-7368 or E.J. Miranda at ejmirand@rutgers.edu, 848-932-7084

Friday, November 18, 2016

Television Academy Elects First African American Chairman, Hayma "Screech" Washington

The Television Academy announced today that its Board of Governors has elected Hayma "Screech" Washington as its new Chairman and CEO. Washington was elected to a two-year term beginning January 1, 2017, and succeeds Bruce Rosenblum who has served since January 2012.
The Academy also announced its newly-elected officers and governors serving on the Board for the 2017–2018 term.
Emmy Award winner Washington, the Academy's first African-American chairman and CEO, is a seasoned television executive who currently produces and directs under his own production company banner, Screechers Pix. Washington previously served as executive producer of The Amazing Race, for which he earned seven Emmy Awards and a Producers Guild Award.

Before that he was at Walt Disney Studios for 10 years as vice president for two production divisions.

His career has also included working in live sports; on awards shows, including the MTV Video Music Awards, the ESPY Awards and the Primetime Emmy Awards; music; comedy; drama; talk; independent films; and short-form digital content.

Washington has served two terms as governor for the Producers peer group, as well as co-chair of the Television Academy's Diversity committee and on the Daytime, Primetime and Creative Arts Emmy Awards committees. In addition, he has served two terms as vice president of television for the Producers Guild of America where he is currently a member of the National Board of Directors.

"I am honored to have been selected to lead the Academy and look forward to serving our membership alongside the governors, executive committee, Foundation and staff," said Washington. "This is a time of considerable change for our industry and I am deeply committed to ensuring that the Academy is at the forefront as we move towards a more inclusive future."
The incoming officers who will serve a two-year term beginning January 1, 2017 and running through December 31, 2018 are:
  • Hayma "Screech" Washington, Chairman and CEO
  • Frank Scherma, Vice Chair
  • Steve Venezia, Second Vice Chair
  • Susan Nessanbaum-Goldberg, Secretary
  • Allison Binder, Treasurer
  • Mitch Waldow, Los Angeles Area Vice Chair.

Similarly, the Academy's new governors will serve a two-year term through 2018; they are listed by peer group below, along with their co-governors who continue to serve a two-year term ending December 31, 2017.