Wednesday, December 11, 2019

2019 Winners The African-American Film Critics Association Awards

The African-American Film Critics Association (AAFCA), the world's largest group of black film critics, announced their film award winners on Tuesday, December 10, 2019.

Jordan Peele's 'US' and the Eddie Murphy film 'Dolemite is My name' were honored with multiple awards while several other notable black actors and movies won awards.

The AAFCA Awards takes place on Wednesday, January 22, 2019, at the Taglyan Complex.

The AAFCA Awards celebrates achievements in film and television as selected by members of our organization. Going into its 8th year, the annual star-studded event attracts some of the biggest names in Hollywood as it recognizes the best performances of the year. In keeping with AAFCA's mission to support and promote the achievement of minorities in the arts and entertainment industry, several special achievement awards are given for extraordinary distinction in lifetime achievement, exceptional contributions to the film and television community.

Full list of winners of AAFCA 2019 awards

Best Film: Us (Universal)

Best Director: Jordan Peele (Us, Universal)

Best Actor: Eddie Murphy (Dolemite Is My Name, Netflix)

Best Actress: Lupita Nyong’o (Us, Universal)

Best Supporting Actor: Jamie Foxx (Just Mercy, Warner Bros.)

Best Supporting Actress: Da'Vine Joy Randolph (Dolemite Is My Name, Netflix)

Best Breakout Performance: Kelvin Harrison, Jr. (Waves, A24)

Best Animated Film: Abominable (Universal)

Best Documentary: The Black Godfather (Netflix)

Best Foreign Film: Parasite (Neon)

Best Independent Film: The Last Black Man in San Francisco (A24)

Best Screenplay Presented with The Black List: Bong Joon-ho, Parasite (Neon)

Impact Award: Queen & Slim (Universal)

We See You Award: Taylor Russell (Waves, A24)

Tuesday, December 10, 2019

Cynthia Erivo nominated twice for the movie ‘Harriet’

Cynthia Erivo received two Golden Globe nominations for her work in ‘Harriet’. She was nominated for Best Performance by an Actress in a Motion Picture – Drama & Best Original Song “Stand Up,”

Erivo had the following response when told of her nominations:

“Bringing Harriet Tubman to life for the first time on the big screen has meant the world to me, and to do so with an incredibly talented and diverse group of filmmakers has been an absolute honor. To be nominated for both my performance and the song I had the privilege to co-write for the film is a testament to Harriet’s enduring legacy and a celebration of her incredible story, which is long overdue. I am grateful to the HFPA for this recognition and feel truly blessed and humbled to be included on a list of such incredible artists. To say that this is overwhelming and a dream come true is putting it lightly. I’m excited to attend my first Golden Globe awards, and to share the night with friends and people I love is icing on the cake. This is beyond my wildest dreams.”

Sunday, December 08, 2019

Sulwe a children's book by by Lupita Nyong'o

From Academy Award–winning actress Lupita Nyong’o comes a powerful, moving picture book about colorism, self-esteem, and learning that true beauty comes from within.

Sulwe has skin the color of midnight. She is darker than everyone in her family. She is darker than anyone in her school. Sulwe just wants to be beautiful and bright, like her mother and sister. Then a magical journey in the night sky opens her eyes and changes everything.

In this stunning debut picture book, actress Lupita Nyong’o creates a whimsical and heartwarming story to inspire children to see their own unique beauty.

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Check out the book on amazon

Hardcover-------Kindle Edition

Congressional Black Caucus Statement on Trump Administration Rule to Cut SNAP Benefits

After the Trump Administration issued a final rule that threatens the welfare of hungry Americans in need of SNAP benefits, formerly known as food stamps, the Congressional Black Caucus (CBC) released the following statement:

The decision by the Trump Administration to hurt poor and working-class Americans by requiring Able-Bodied Adults Without Dependents (ABAWDs) to submit to more onerous restrictions to qualify for food stamps is disgraceful.

Over 36 million Americans rely on SNAP for nutrition assistance. This final rule weakens SNAP, the nation’s most effective anti-hunger program. Enough is enough.

Unfortunately, the Trump Administration fails to understand that people want a hand up, not a handout. There is no dignity in taking food away from the poorest and most vulnerable of our citizens.

It is immoral, insensitive, and cold-hearted.

For all public servants, we have to do the most for those who have the least. As the ‘Conscience of the Congress,’ the CBC must stand up and speak for Americans trying to make ends meet, and call out this callous Administration for hurting the ‘least of these’ during the holidays and beyond.

National Museum of African American History and Culture Presents Latest Exhibition “Now Showing”

Exhibition About African American Movie Posters On View Through Nov. 1, 2020.

“Now Showing: Posters from African American Movies” opened at the Smithsonian’s National Museum of African American History and Culture, Nov. 22. The temporary exhibition will be on display until November 2020. It showcases how movie poster design has been used to frame ideas, create moods and stoke interest in films and characters. More than 40 objects and graphics celebrating black films, filmmakers and actors from the museum’s expansive poster collection will be on display in the Earl W. and Amanda Stafford Center for African American Media Arts (CAAMA) gallery.

“Now Showing” is the first exhibition in the National Museum of African American History and Culture to feature augmented reality (AR). Through AR, visitors will have the unique opportunity to have an interactive experience with objects inside the gallery by using their mobile devices. Once inside the exhibition, visitors will go to hi.si.edu on their mobile web browser from their smart device and view exclusive content on various objects inside the exhibition.

Many of the items featured in “Now Showing” are from the Larry Richards Collection, a poster collection acquired by the museum in 2013 that includes more than 700 objects. This exhibition features original posters, lobby cards and select ephemera highlighting more than 70 years of African American image making.

The exhibition is divided into four sections: Film Pioneers, The Problem of the Color Line, A Star Is Born and Black Power & “Blaxploitation”. Each thematic category highlights the role African American films have played on the perception of African American culture and society as a whole.

“Film can serve as a peek into ideals about culture and society,” said Rhea L. Combs, curator and head of CAAMA. “This exhibition introduces visitors to films featuring African Americans they may be less familiar with, and at the same time, it recognizes some of the most historically and culturally relevant films made over a 70-year period. The significant artistry and design work that goes into creating not only the films, but the posters that promote the films, are not to be underestimated. When one explores the long-standing history of African American images on screen, these posters become significant artifacts about the perception and perspective of race, gender and culture that have been a part of our social landscape for decades.”

In the first section of the exhibition, Film Pioneers, visitors can view some of the earliest influencers in African American cinema, like actors Laurence Criner, Ralph Cooper and Lena Horn. This section also examines how non-black filmmakers created content for patrons excited to see black performers on the silver screen. The Problem of the Color Line examines the phenomena known as “passing,” where a mixed-race person passes as an accepted member of another racial group to avoid discrimination. A Star Is Born shows how increased interest in films helped create celebrities, increased representation in films and instilled a sense of pride in black communities across the country due to increased number of African Americans appearing in this new medium. The exhibition concludes with Black Power & “Blaxploitation,” which highlights the rise of movies geared toward black audiences in the 1960s–70s. During this era, Blaxploitation films centered around black casts and were usually set in and around urban environments. These films often brought black communities together by promoting black empowerment and breaking down racial barriers.

First Exhibition With Augmented Reality Experience

For the first time at the museum, AR will play a role in the exhibition experience. Visitors can interact with eight select posters and learn more about the objects using their mobile devices. The feature will use video and other pop-up displays to educate visitors on the objects in the gallery—creating a unique, one-of-a-kind experience.

“Now Showing: Posters from African American Movies” is in the museum’s CAAMA gallery, a temporary exhibition space located on the second floor. The public can be a part of the online conversation by using #CAAMALens.

About the National Museum of African American History and Culture

Since opening Sept. 24, 2016, the National Museum of African American History and Culture has welcomed more than 6 million visitors. Occupying a prominent location next to the Washington Monument on the National Mall in Washington, D.C., the nearly 400,000-square-foot museum is the nation’s largest and most comprehensive cultural destination devoted exclusively to exploring, documenting and showcasing the African American story and its impact on American and world history. For more information about the museum, visit nmaahc.si.edu, follow @NMAAHC on Twitter, Facebook and Instagram, or call Smithsonian information at (202) 633-1000.