Showing posts with label Black history Museum. Show all posts
Showing posts with label Black history Museum. Show all posts

Thursday, October 01, 2020

Smithsonian’s African American museum names new director

The Smithsonian’s National Museum of African American History and Culture has a new president.

On Tuesday, the museum announced that Kevin Young, the director of the Schomburg Center for Research in Black Culture in New York, will take over for Lonnie Bunch III (the museum’s founding director from 2005 to 2019), who is now the Secretary of the Smithsonian.

The leadership change will take effect Jan. 11, the museum said.

Young, an author, a poet, and an editor, led the Schomburg Center for Research in Black Culture (2016-2020) as the institution acquired the manuscript of Alex Haley’s “The Autobiography of Malcolm X,” including a once-lost chapter, and the Harlem-based archives of Harry Belafonte and James Baldwin.

Before Young took the helm at the Schomburg Center, he was a professor at Emory University. He was also the curator of the university’s Raymond Danowski Poetry Library, a 75,000-volume collection of rare and modern poetry, and curator of literary collections.

“I look forward to directing the National Museum of African American History and Culture in this next phase of leadership, after its founding, opening and dynamic exhibitions and events,” said Young in a museum press release. “Having visited the museum myself with my family, I know what a powerful place it is, transforming visitors both in-person and online, and revealing the centrality of African American culture to the American experience. I am eager to engage further directions in the museum’s mission, embracing our digital present and future while furthering conversations around Black history, art, liberation, and joy.”

[SOURCE: SUN TIMES]

Sunday, December 08, 2019

National Museum of African American History and Culture Presents Latest Exhibition “Now Showing”

Exhibition About African American Movie Posters On View Through Nov. 1, 2020.

“Now Showing: Posters from African American Movies” opened at the Smithsonian’s National Museum of African American History and Culture, Nov. 22. The temporary exhibition will be on display until November 2020. It showcases how movie poster design has been used to frame ideas, create moods and stoke interest in films and characters. More than 40 objects and graphics celebrating black films, filmmakers and actors from the museum’s expansive poster collection will be on display in the Earl W. and Amanda Stafford Center for African American Media Arts (CAAMA) gallery.

“Now Showing” is the first exhibition in the National Museum of African American History and Culture to feature augmented reality (AR). Through AR, visitors will have the unique opportunity to have an interactive experience with objects inside the gallery by using their mobile devices. Once inside the exhibition, visitors will go to hi.si.edu on their mobile web browser from their smart device and view exclusive content on various objects inside the exhibition.

Many of the items featured in “Now Showing” are from the Larry Richards Collection, a poster collection acquired by the museum in 2013 that includes more than 700 objects. This exhibition features original posters, lobby cards and select ephemera highlighting more than 70 years of African American image making.

The exhibition is divided into four sections: Film Pioneers, The Problem of the Color Line, A Star Is Born and Black Power & “Blaxploitation”. Each thematic category highlights the role African American films have played on the perception of African American culture and society as a whole.

“Film can serve as a peek into ideals about culture and society,” said Rhea L. Combs, curator and head of CAAMA. “This exhibition introduces visitors to films featuring African Americans they may be less familiar with, and at the same time, it recognizes some of the most historically and culturally relevant films made over a 70-year period. The significant artistry and design work that goes into creating not only the films, but the posters that promote the films, are not to be underestimated. When one explores the long-standing history of African American images on screen, these posters become significant artifacts about the perception and perspective of race, gender and culture that have been a part of our social landscape for decades.”

In the first section of the exhibition, Film Pioneers, visitors can view some of the earliest influencers in African American cinema, like actors Laurence Criner, Ralph Cooper and Lena Horn. This section also examines how non-black filmmakers created content for patrons excited to see black performers on the silver screen. The Problem of the Color Line examines the phenomena known as “passing,” where a mixed-race person passes as an accepted member of another racial group to avoid discrimination. A Star Is Born shows how increased interest in films helped create celebrities, increased representation in films and instilled a sense of pride in black communities across the country due to increased number of African Americans appearing in this new medium. The exhibition concludes with Black Power & “Blaxploitation,” which highlights the rise of movies geared toward black audiences in the 1960s–70s. During this era, Blaxploitation films centered around black casts and were usually set in and around urban environments. These films often brought black communities together by promoting black empowerment and breaking down racial barriers.

First Exhibition With Augmented Reality Experience

For the first time at the museum, AR will play a role in the exhibition experience. Visitors can interact with eight select posters and learn more about the objects using their mobile devices. The feature will use video and other pop-up displays to educate visitors on the objects in the gallery—creating a unique, one-of-a-kind experience.

“Now Showing: Posters from African American Movies” is in the museum’s CAAMA gallery, a temporary exhibition space located on the second floor. The public can be a part of the online conversation by using #CAAMALens.

About the National Museum of African American History and Culture

Since opening Sept. 24, 2016, the National Museum of African American History and Culture has welcomed more than 6 million visitors. Occupying a prominent location next to the Washington Monument on the National Mall in Washington, D.C., the nearly 400,000-square-foot museum is the nation’s largest and most comprehensive cultural destination devoted exclusively to exploring, documenting and showcasing the African American story and its impact on American and world history. For more information about the museum, visit nmaahc.si.edu, follow @NMAAHC on Twitter, Facebook and Instagram, or call Smithsonian information at (202) 633-1000.

Wednesday, March 27, 2019

Previously Unknown Photo of Young Harriet Tubman To Go on Public View for the First Time

The Smithsonian’s National Museum of African American History and Culture will display—for the first time—the Emily Howland photography album containing a previously unknown portrait of abolitionist and Underground Railroad-conductor Harriet Tubman. The Howland album will be the museum’s first acquisition to be displayed in Heritage Hall, the museum’s main entry hall. It will be on exhibit Monday, March 25, through Sunday, March 31, and then relocated to the “Slavery and Freedom” exhibition on the C3 Level in the museum’s History Gallery.

“This photo album allows us to see Harriet Tubman in a riveting, new way; other iconic portraits present her as either stern or frail,” said Lonnie G. Bunch III, the founding director of the museum. “This new photograph shows her relaxed and very stylish. Sitting with her arm casually draped across the back of a parlor chair, she’s wearing an elegant bodice and a full skirt with a fitted waist. Her posture and facial expression remind us that historical figures are far more complex than we realize. This adds significantly to what we know about this fierce abolitionist—it helps to humanize such an iconic figure.”

A recently announced visitation policy allowing for walk-up entry without passes Monday through Friday starting at 1 p.m. will provide visitors access to viewing the Tubman photograph.

Two years ago, the National Museum of African American History and Culture and the Library of Congress jointly acquired the photograph as part Howland’s photo album. Howland (1827–1929), a Quaker school teacher, taught at Camp Todd, the Freedman’s School in Arlington, Virginia. The album was originally compiled as a gift for her. Containing 49 images taken circa 1860s, it includes a more commonly known Tubman portrait taken later in life and images of Sen. Charles Sumner, woman’s activist and abolitionist Lydia Maria Child, organizer Samuel Ely, William Henry Channing, Col. C.W. Folsom, Charles Dickens and the only known photograph of John Willis Menard, the first African American man elected to the U.S. Congress.

Read more about Emily Howland's photo album here: https://nmaahc.si.edu/about/news/album-previously-unknown-photo-young-harriet-tubman-go-public-view-first-time