No Passes needed to Visit the NMAAHC on Weekdays Through February 2020

From Labor Day through February, you won't need a pass to enter the museum on weekdays, the NMAAHC announced over the weekend. Visitors will be able to enter the museum on a first-come, first-served basis on weekdays starting at 10 a.m.

You will, however, still need a timed-entry pass on weekends. You can get same-day passes for weekends online.

In addition, advance timed passes for Saturdays and Sundays in December will become available starting Wednesday at 9 a.m. You'll be able to search for advance timed passes for Dec. 1 and the weekends of Dec. 7-8, 14-15, 21-22 and 28-29.

You can also reserve passes here https://nmaahc.si.edu/visit/passes ot by phone by calling 844-750-3012.

Admission and passes are free.

If you're visiting on a day that passes are required, remember that everyone in your group will need his or her own pass, including babies. In addition, the museum will continue to require advance timed-entry passes every day for groups of 10 or more.

The National Museum of African American History and Culture to acquire archive of Ebony and Jet magazines

The National Museum of African American History and Culture will acquire a significant portion of the archive of the Johnson Publishing Company, the publisher of Ebony and Jet magazines. The acquisition is pending court approval and the closing of the sale. 

A consortium of foundations—the Ford Foundation, the J. Paul Getty Trust, the John D. and Catherine T. MacArthur Foundation, and the Andrew W. Mellon Foundation—is making this acquisition possible. The consortium will transfer the archive to the Smithsonian National Museum of African American History and Culture and the Getty Research Institute.   

The archive, purchased at auction for $30 million, includes more than four million prints, negatives, and media that explored, celebrated and documented African American life from the 1940s and into the 21st century. 

“It is a distinct honor for the museum to be invited to join the Getty Research Institute and other leading cultural institutions to safeguard and share with the world this incomparable collection of photographs,” said Spencer Crew, acting director of the National Museum of African American History and Culture. 

“We applaud the generosity of the consortium of foundations that made this acquisition possible.  And we pay homage to the vision of John H. Johnson and his commitment to bringing to the nation and the world, the story of the African American experience—in all its complexity and all its richness. Ebony and Jet were the only places where African Americans could see themselves. They were the visual record of our beauty, humanity, dignity, grace, and our accomplishments. 

“Being the steward of the archive is an extraordinary responsibility, and we are humbled to play a critical role in bringing new life to these images. With the depth of its curatorial expertise and the technical skills in digitization, the Museum stands ready to marshall its forces to make this archive accessible to the widest possible audience.  We are honored to work with our recipient colleagues to make this gift to the nation possible.”  

The Museum has built a distinctive photography collection that includes more than 25,000 prints, negatives, and photographic materials. Photographers represented in the collection include Anthony Barboza, Cornelius M. Battey, Arthur P. Bedou, Bruce Davidson, Charles “Teenie” Harris, Danny Lyon, Jack Mitchell, Jeanne Moutoussamy-Ashe, Gordon Parks, P. H. Polk, Addison Scurlock, Lorna Simpson, Aaron Siskind, James Van Der Zee, Carrie Mae Weems, and Ernest Withers.  

U.S. Bank invests $1 million with the National Museum of African American History and Culture

U.S. Bank announces a $1 million investment with the Smithsonian's National Museum of African American History and Culture (NMAAHC) in Washington, D.C. With this five-year investment, U.S. Bank will join the prestigious Corporate Leadership Council, a community of engaged corporate donors whose values reflect a commitment to diversity, equity and inclusion.

“Honoring and celebrating African American culture is an important part of American history,” said Andy Cecere, Chairman, President and CEO of U.S. Bank. “At U.S. Bank, we are committed to diversity, equity and inclusion and the arts – which brings us closer together and strengthens our communities. Through this support of the National Museum, we hope these historical stories and rich cultural experiences will continue to inspire many for generations.”

The National Museum of African American History and Culture was established by Act of Congress in 2003, following decades of efforts to promote and highlight the contributions of African Americans. The Museum opened to the public on September 24, 2016, as the 19th and newest museum of the Smithsonian Institution and stands upon four pillars. One pillar – to help all Americans see how their stories, histories and cultures are shaped and informed by global influences aligns with U.S. Bank employees’ shared core value of drawing strength from diversity.

About the National Museum of African American History and Culture

Since opening Sept. 24, 2016, the National Museum of African American History and Culture has welcomed more than 6 million visitors. Occupying a prominent location next to the Washington Monument on the National Mall in Washington, D.C., the nearly 400,000-square-foot museum is the nation’s largest and most comprehensive cultural destination devoted exclusively to exploring, documenting and showcasing the African American story and its impact on American and world history. For more information about the museum, visit nmaahc.si.edu, follow @NMAAHC on Twitter, Facebook, and Instagram, or call Smithsonian information at (202) 633-1000.

About U.S. Bank

U.S. Bancorp, with 74,000 employees and $476 billion in assets as of March 31, 2019, is the parent company of U.S. Bank, the fifth-largest commercial bank in the United States. The Minneapolis-based bank blends its relationship teams, branches and ATM network with mobile and online tools that allow customers to bank how, when and where they prefer. U.S. Bank is committed to serving its millions of retail, business, wealth management, payment, commercial and corporate, and investment services customers across the country and around the world as a trusted financial partner, a commitment recognized by the Ethisphere Institute naming the bank a 2019 World’s Most Ethical Company. Visit U.S. Bank at usbank.com or follow on social media to stay up to date with company news.

Contact

Susan Beatty, U.S. Bank

612-303-9229; susan.beatty@usbank.com

Dr. Spencer Crew named Interim Director of the National Museum of African American History & Culture

Spencer Crew is serving as the Interim Director of the Smithsonian’s National Museum of African American History and Culture (NMAAHC). He is also the Clarence J. Robinson Professor of American, African American and Public History at George Mason University. 

Spencer has worked in public history institutions for more than twenty-five years.  He served as president of the National Underground Railroad Freedom Center for six years and worked at the National Museum of American History (NMAH), Smithsonian Institution for twenty years.  Nine of those years, he served as the director of NMAH.  At each of those institutions, he sought to make history accessible to the public through innovative and inclusive exhibitions and public programs. 

His most important exhibition was the ground breaking “Field to Factory: Afro-American Migration 1915 – 1940” which generated a national discussion about migration, race, and creating historical exhibitions.    He also co-curated “The American Presidency A Glorious Burden” which is one of the Smithsonian’s most popular exhibitions. The National Underground Railroad Freedom Center has attracted worldwide attention because of the quality of its presentations and focus on race, interracial cooperation, and issues of contemporary slavery.

Crew has published extensively in the areas of African American and Public History.  Among his publications are Field to Factory: Afro-American Migration 1915 - 1940 (1987), and Black Life in Secondary Cities: A Comparative Analysis of the Black Communities of Camden and Elizabeth, N.J. 1860 - 1920 (1993). He co-authored The American Presidency: A Glorious Burden (2002), Unchained Memories: Readings From The Slave Narratives (2002), Slave Culture: A Documentary Collection of the Slave Narratives from the Federal Writers' Project (2014), and Memories of the Enslaved: Voices from the Slave Narratives (2015).

Crew is an active member of the academic and cultural communities, serving on many boards that work to generate enthusiasm for history among the public. He is the Past Chair of the National Council for History Education, Trustee Emeritus of the Board of the National Trust for Historic Preservation, and served on the Nominating Board of the Organization of American Historians and the Board of the American Association of Museums.   

He is a graduate of Brown University and holds a master's degree and a doctorate from Rutgers University. He is a member of the Rutgers Hall of Distinguished Alumni.

Previously Unknown Photo of Young Harriet Tubman To Go on Public View for the First Time

The Smithsonian’s National Museum of African American History and Culture will display—for the first time—the Emily Howland photography album containing a previously unknown portrait of abolitionist and Underground Railroad-conductor Harriet Tubman. The Howland album will be the museum’s first acquisition to be displayed in Heritage Hall, the museum’s main entry hall. It will be on exhibit Monday, March 25, through Sunday, March 31, and then relocated to the “Slavery and Freedom” exhibition on the C3 Level in the museum’s History Gallery.

“This photo album allows us to see Harriet Tubman in a riveting, new way; other iconic portraits present her as either stern or frail,” said Lonnie G. Bunch III, the founding director of the museum. “This new photograph shows her relaxed and very stylish. Sitting with her arm casually draped across the back of a parlor chair, she’s wearing an elegant bodice and a full skirt with a fitted waist. Her posture and facial expression remind us that historical figures are far more complex than we realize. This adds significantly to what we know about this fierce abolitionist—it helps to humanize such an iconic figure.”

A recently announced visitation policy allowing for walk-up entry without passes Monday through Friday starting at 1 p.m. will provide visitors access to viewing the Tubman photograph.

Two years ago, the National Museum of African American History and Culture and the Library of Congress jointly acquired the photograph as part Howland’s photo album. Howland (1827–1929), a Quaker school teacher, taught at Camp Todd, the Freedman’s School in Arlington, Virginia. The album was originally compiled as a gift for her. Containing 49 images taken circa 1860s, it includes a more commonly known Tubman portrait taken later in life and images of Sen. Charles Sumner, woman’s activist and abolitionist Lydia Maria Child, organizer Samuel Ely, William Henry Channing, Col. C.W. Folsom, Charles Dickens and the only known photograph of John Willis Menard, the first African American man elected to the U.S. Congress.

Read more about Emily Howland's photo album here: https://nmaahc.si.edu/about/news/album-previously-unknown-photo-young-harriet-tubman-go-public-view-first-time

Passes once again required for admission to National Museum of African American History and Culture

The National Museum of African-American History and Culture is going back to its traditional admission system for the rest of the year.

Last month, the hugely popular museum held what it called Walk-Up Weekdays, but with the passing of September it returned to requiring passes that are only good at a particular date and time, and obtained in advance, to get in.

The museum will do Walk-Up Weekdays again in January. The timed passes for January — which apply to the weekends — will be made available Wednesday, Oct. 3, at 9 a.m.

The museum also makes some same-day passes available at 6:30 a.m. each day until they run out, and a limited number of walk-up tickets are available at 1 p.m. each weekday.

All tickets are free. You can check availability on the museum’s website.

[SOURCE: WTOP]

Oprah Winfrey gets exhibit in National Museum of African American History and Culture

“Watching Oprah: The Oprah Winfrey Show and American Culture,” opens June 8 at the Smithsonian’s National Museum of African American History and Culture, and continues through June 2019. The exhibition will use the story of Winfrey and her 25-year daytime talk show as a lens to explore contemporary American history and culture, especially issues of power, gender and the media. It will feature video clips on a range of subjects, interactive interviews with Winfrey, costumes from her films Beloved and The Color Purple and artifacts from Harpo Studios in Chicago, home of The Oprah Winfrey Show.

“This exhibition examines the power of television,” said Lonnie G. Bunch III, the museum’s founding director. “Just as Oprah Winfrey watched TV coverage of the civil rights movement and was shaped by the era in which she was born and raised, she has gone on to have a profound effect on how Americans view themselves and each other in the tumultuous decades that followed. She has a place in the museum with a long line of women who did extraordinary things in their time—Harriet Tubman, Sojourner Truth, Ida B. Wells, Maya Angelou—women who worked to redeem the soul of America.”

Winfrey was awarded the Presidential Medal of Freedom, won seven Daytime Emmy Awards for Outstanding Talk Show Host, received the Golden Globe Cecil B. DeMille Award and is the nation’s first self-made African American female billionaire. This new Smithsonian exhibition probes the way in which America shaped Winfrey and how Winfrey’s work has shaped America.

The exhibition is in three sections: America Shapes Oprah, 1950s–1980s, The Oprah Winfrey Show and Oprah Shapes America. Museum curators Rhea L. Combs and Kathleen Kendrick put Winfrey’s story into context for visitors: “During her 25 years on broadcast television, her remarkable ability to connect in a familiar way with diverse audiences was crucial to her success. Many of the values she espoused on her show—including empowerment, education, spirituality and philanthropy—were rooted in her African American identity and upbringing.”

In the first section, America Shapes Oprah, key events in Winfrey’s life are considered in relationship to the broader political, social and cultural changes happening in the country. Artifacts include items from Winfrey’s childhood when she was deeply affected by the working women in her life, as well as artists, authors and activists whose works gave voice to the experiences of African American women. Among the highlights: the high school diploma earned by Carlotta Walls, one of the “Little Rock Nine” who integrated Central High School in Arkansas in 1957; a pennant carried by Edith Lee Payne, a 12-year-old girl from Detroit, at the 1963 March on Washington for Jobs and Freedom; images of women activists, including Pauli Murray, an attorney and Episcopal priest who helped organize the March on Washington, and Congresswoman Shirley Chisholm; and works by artist Elizabeth Catlett.

The exhibition also examines the evolution of The Oprah Winfrey Show, which dominated daytime TV from 1986 through 2011. Watched by millions in 145 countries, the show won 48 Daytime Emmy Awards, and featured a wide range of celebrities and challenging, rarely discussed topics such as beauty, relationships, sexual abuse and current affairs. Winfrey herself received a Daytime Emmy Lifetime Achievement Award in 1998.

The exhibition comes full circle with a section titled Oprah Shapes America. It explores Winfrey’s global influence that extends far beyond the world of TV, journalism and entertainment. The phenomenon of “The Oprah Effect”—Winfrey’s ability to shape public opinion and change people’s lives—has long been a subject of fascination and debate; it has raised important questions about the relationship between race, gender and power and about whose voices deserve to be heard and whose perspectives and experiences matter.

“Watching Oprah” is located in the museum’s Special Exhibitions gallery, a 4,300-square-foot exhibition space located on the concourse level near the elevator that takes visitors to the first level of the History Galleries. The exhibition is supported by MGM Resorts International, Target, Bank of America, and FedEx Corporation. The public can join the online conversation using #WatchingOprah and explore the exhibition online at www.nmaahc.si.edu/watchingoprah.

111-year-old black veteran gets African-American museum tour

Nike releasing LeBron sneaker to benefit the National Museum of African American History & Culture

The LeBron 15 ‘Equality’ PE is getting a release. James took to Instagram Monday morning to announce that the ‘Equality’ PE is getting a wide release with Smithsonian National Museum of African-American History and Culture receiving all of the proceeds:

Great morning to all! Basketball is our vehicle but equality is our mission – stand for something positive and do what you can to make a difference!! Proud to announce we’re dropping the “Equality” PE. There’s always a personal connection with a drop - this one goes beyond basketball. Proceeds go to the Smithsonian Natl Museum of African American History & Culture. #Equality✊ #StriveForGreatness #IWillNotShutUpAndDribble,”

🗣🗣Great morning to all! Basketball is our vehicle but equality is our mission – stand for something positive and do what you can to make a difference!! Proud to announce we’re dropping the “Equality” PE. There’s always a personal connection with a drop - this one goes beyond basketball. Proceeds go to the Smithsonian Natl Museum of African American History & Culture. #Equality✊🏾💪🏾 #StriveForGreatness🚀 #IWillNotShutUpAndDribble

A post shared by LeBron James (@kingjames) on Feb 26, 2018 at 7:01am PST

Smithsonian National Museum of African American History Wins 2017 Design of the Year

Freelon Adjaye Bond/SmithGroup’s Smithsonian National Museum of African American History and Culture in Washington D.C. has been selected as the winner of the Beazley Design of the Year for 2017.

Presented by the Design Museum in London, the award is given to the project that best meets the criteria of design that “promotes or delivers change, enables access, extends design practice or captures the spirit of the year.”

In being named both overall winner and winner of the architecture category, the Smithsonian National Museum of African American History and Culture outpaced impressive shortlisted projects from OMA, Zaha Hadid Architects, and more, as well as winners from five other categories: Digital, Fashion, Graphics, Product, and Transport.

'We couldn’t look any further than the Smithsonian for the overall award. It is a project of beautiful design, massive cultural impact, delivers an emotional experience and has a scale deserved of this major award,” said jury member Ozwald Boateng OBE. “You enter the building clouded in darkness and work your way through the displays and end bathed in light - this is a project that feels like a major turning point.’

Read more: Smithsonian National Museum of African American History Wins 2017 Design of the Year.

The National Museum Of African American History And Culture Is Getting Its Own Stamp

The National Museum of African American History and Culture will finally make its stamp debut next month after its issuance date was initially postponed by the US Postal Services.

The “Celebrating African American History and Culture Forever stamp” recognizes the richness of black history and its intrinsic connection to American history. It is also part of the US Postal Services Forever series and will go on sale Oct. 13 after a dedication ceremony at the actual museum.

“Black history is inseparable from American history, and the black experience represents a profound and unique strand of the American story,” USPS said. “This stamp issuance recognizes the richness of that experience by celebrating the National Museum of African American History and Culture in Washington, DC.”

[SOURCE: ESSENCE]

Colin Kaepernick items to be part of Smithsonian's Black Lives Matter collection

Items pertaining to Colin Kaepernick will be part of the Black Lives Matter collection at the Smithsonian's National Museum of African American History and Culture.

"The National Museum of African American History and Culture has nearly 40,000 items in our collection," Damion Thomas, the Washington museum's sports curator, told USA Today Sports. "The Colin Kaepernick collection is in line with the museum's larger collecting efforts to document the varied areas of society that have been impacted by the Black Lives Matter movement."

Thomas had previously told USA Today Sports that items would include a game-worn jersey and shoes.

Kaepernick, as a member of the San Francisco 49ers, kneeled during the playing of national anthem throughout the 2016 season. The free agent quarterback said he was protesting racial inequality and social injustice in the country.

[SOURCE: ABCNEWS]

Noose found at National Museum of African American History & Culture

A section of the National Museum of African American History and Culture was temporarily shut down on Wednesday after a noose was found on the floor of the exhibition, the Smithsonian said.

U.S. Park Police arrived on the scene after the noose was discovered and removed it, according to Smithsonian Magazine. The exhibition was reopened within three hours.

"The noose has long represented a deplorable act of cowardice and depravity — a symbol of extreme violence for African Americans," museum director Lonnie Bunch wrote in an email to staff. "Today's incident is a painful reminder of the challenges that African Americans continue to face."

The incident marked the second time within the past week that a noose had been discovered on Smithsonian property. Another one was found on Friday hanging on a tree outside the Hirshhorn Museum and Sculpture Garden just across the National Mall from the African American History Museum.

The latest noose was found on the floor of the section of the museum dedicated to segregation.

“The Smithsonian family stands together in condemning this act of hatred and intolerance, especially repugnant in a museum that affirms and celebrates the American values of inclusion and diversity,” Smithsonian Institution Secretary David Skorton said in email to Smithsonian employees.

“We will not be intimated. Cowardly acts like these will not, for one moment, prevent us from the vital work we do.”

[SOURCE: THE HILL]

Library of Congress, Smithsonian buy newly discovered photo of Harriet Tubman

An old photo album containing a rare portrait of the legendary underground railroad conductor Harriet Tubman has been jointly acquired by the Library of Congress and the Smithsonian’s National Museum of African American History and Culture, the institutions said Friday.

The new image depicts Tubman as a much younger woman than she appears in other known pictures. It is among 44 rare images in the album, including the only known photograph of John Willis Menard, the first African American man elected to the U.S. Congress.

“We are so thrilled,” Gayle Osterberg, a Library of Congress spokeswoman, said Friday in an email.

“The institutions have agreed to joint ownership and will digitize the photographs as soon as possible,” she wrote. “The intention is to make them as widely available as possible through online images everyone can use.”

Read more: Library of Congress, Smithsonian buy newly discovered photo of Harriet Tubman

LONNIE BUNCH III TO RECEIVE PRESIDENT’S AWARD AT NAACP IMAGE AWARDS

Lonnie Bunch III, the founding director of the Smithsonian’s National Museum of African American History and Culture will be honored at the NAACP Image Awards.

The NAACP announced today that historian, author, curator and educator, Lonnie G. Bunch, III will be presented with the NAACP “President’s Award” at the 48th NAACP Image Awards telecast LIVE from 9-11 p.m. ET on February 11 on TV One.

The NAACP “President’s Award,” chosen by NAACP President and CEO Cornell William Brooks, is bestowed in recognition of special achievement and distinguished public service.  Past honorees include John Legend, Van Jones, President Bill Clinton, Soledad O’Brien, Ruby Dee, Muhammad Ali, the Founding Members of the Black Stuntmen’s Association, Kerry Washington, and Spike Lee.

“Historian, scholar and author Lonnie G. Bunch III, has secured among the sacred places of the American story, a place of honor for the contributions of African Americans to our nation’s history. As the founding director of the Smithsonian’s National Museum of African American History and Culture (NMAAHC), he has helped to amplify stories of our struggles and striving to wrest the shackles of oppression from both body and mind in our undeniable quest to be free,” said Cornell William Brooks, President and CEO, NAACP.

“Dr. Bunch’s relentless work to shine a magnificent light into the incredible American prism of the Black experience from enslaved plantations to the White House mansion, has earned him this year’s NAACP President’s Award. The award bears the name of the NAACP but is invisibly inscribed with the names of Americans of every hue and heritage representing the gratitude of the nation for Dr. Bunch’s efforts.”

Lonnie G. Bunch, III is the founding director of the Smithsonian’s National Museum of African American History and Culture.  In this position he is working to set the museum’s mission, coordinate its fundraising and membership campaigns, develop its collections, and establish cultural partnerships.  He is designing a high-profile program of traveling exhibitions and public events ranging from panel discussions and seminars to oral history and collecting workshops.

Prior to his July 2005 appointment as director of NMAAHC, Bunch served as the president of the Chicago Historical Society, one of the nation’s oldest museums of history (January 2001-June 2005).  There, he initiated an unprecedented outreach initiative to diverse communities and launched a much-applauded exhibition and program on teenage life titled “Teen Chicago.”  He also led a successful capital campaign to transform the institution in celebration of its 150th anniversary and managed an institutional reorganization.

Bunch has held several positions at the Smithsonian.  As the National Museum of American History’s (NMAH) Associate Director for Curatorial Affairs (1994-2000), he oversaw the curatorial and collections management staff of nearly 200.  In addition to leading the curatorial team that developed the major permanent exhibition “American Presidency: A Glorious Burden,” he served as co-author of the exhibition’s companion book by the same name.

While assistant director for curatorial affairs at NMAH (1992-1994), Bunch developed “Smithsonian’s America,” an exhibition that explored the history, culture and diversity of the United States; it was shown in Tokyo, Japan as part of the “American Festival Japan ’94.  He also supervised the planning and implementation of the museum’s research and collection agendas.  As a supervising curator at NMAH (1989-1992), he oversaw several of the museum’s divisions, including Community Life and Political History.

From 1978 to 1979, Bunch was an education specialist and historian at the Smithsonian’s National Air and Space Museum, where he developed multi-cultural instructional programs and researched and wrote the history of African Americans in aviation.

Bunch served as the curator of history for the California Afro-American Museum in Los Angeles from 1983 to 1989.  There he organized several award-winning exhibitions including “The Black Olympians, 1904-1950” and “Black Angelenos: The Afro-American in Los Angeles, 1850-1950.”  Committed to making history accessible, he also produced several historical documentaries for public television.

A prolific and widely published author, Bunch has written on topics ranging from slavery, the black military experience, the American presidency and all black towns in the American west to diversity in museum management and the impact of funding and politics on American museums. In 2010, he published the award-winning book “Call the Lost Dream Back: Essays on Race, History and Museums.” “Slave Culture: A Documentary Collection of the Slave Narratives” was published in 2014 and in 2015 he published “Memories of the Enslaved: Voices from the Slave Narratives.”  In 2016, Bunch co-authored “From No Return: the 221-Year Journey of the Slave Ship Sao Jose.”  Lectures and presentations to museum professionals and scholars have taken him to major cities in the United States and to many nations abroad including Australia, China, England, Italy, Japan, Scotland, South Africa, Sweden, Ghana, Senegal and Cuba.  Since 2008, Bunch has served as the series co-editor of the “New Public Scholarship Edition” of the University of Michigan Press.  During the inaugurations of President Barack Obama, Bunch served as an on-camera commentator for ABC News.

In service to the historical and cultural community, Bunch has served on the advisory boards of the American Association of Museums, the African American Association of Museums, the American Association of State and Local History, and the ICOM-US. Among his many awards, he was appointed by President George W. Bush to the Commission for the Preservation of the White House in 2002 and reappointed by President Barack Obama in 2009. In 2005, Bunch was named one of the 100 most influential museum professionals in the 20th century by the American Association of Museums and in 2009, Ebony Magazine named him one of its 150 most influential African Americans.  Again, in 2016 he was chosen as one of the 100 most significant African Americans by Ebony Magazine.  In 2011, BET (Black Entertainment Television) selected Bunch to receive its BET Honors for outstanding service to American education.  In 2014, BET selected Bunch as one of its ICON Men for his work mentoring young African American men.  In recent years, Bunch has been honored with: Visionary History Award, DC Historical Society (2016), Rainbow Push Torchbearer Award (2016), Delta Sigma Theta Remembering Our Heritage Award (2016), and National Newspaper Publishers Association Torch Award (2016).  In 2016, Bunch was listed as #1 in the Washington Business Journal’s Power 100 ratings and in Vanity Fair’s Hall of Fame.

For additional information and the latest news, please visit the official NAACP Image Awards website at http://www.naacpimageawards.net.

Check out the National Museum of African American History and Culture: A Souvenir Book

While I'm sure many of us have future plans to go to the National Museum of African American History and Culture, our very busy lives and or finances could delay or stop that trip entirely. That doesn't mean that we can't get a look at the museum in the meantime through it's souvenir book.

SYNOPSIS: National Museum of African American History and Culture: A Souvenir Book

This souvenir book showcases some of the most influential and important treasures of the National Museum of African American History and Culture's collections. These include a hymn book owned by Harriet Tubman; ankle shackles used to restrain enslaved people on ships during the Middle Passage; a dress that Rosa Parks was making shortly before she was arrested; a vintage, open-cockpit Tuskegee Airmen trainer plane; Muhammad Ali's headgear; an 1835 Bill of Sale enslaving a young girl named Polly; and Chuck Berry's Cadillac. These objects tell us the full story of African American history, of triumphs and tragedies and highs and lows. This book, like the museum it represents, uses artifacts of African American history and culture as a lens into what it means to be an American.

CHECK OUT THE BOOK

LeBron James contributes $2.5 million to Smithsonian Muhammad Ali display

The Smithsonian’s National Museum of African American History and Culture announced today that LeBron James will give $2.5 million to support the museum and its presentation titled “Muhammad Ali: A Force for Change.” On view since the museum’s September opening, it tells the story of how Ali’s contributions transcended the world of sport—his commitment to challenging racial barriers helped lay the groundwork for the successful careers of so many African Americans in athletics and beyond.

James’ business partner Maverick Carter will also be part of the $2.5 million contribution to the Ali exhibit. With this gift, the LeBron James Family Foundation and Carter will join the list of founding donors for NMAAHC.

“Every professional athlete, regardless of race and gender, owes a huge debt of gratitude to Muhammad Ali,” James said. “His legacy deserves to be studied and revered by every generation. I am honored to partner with the Smithsonian to celebrate one of the most influential figures in our nation’s history who, along with Jackie Robinson and Jesse Owens, used the power of sports to advance our civil rights.”

“I am overwhelmed by the incredible generosity LeBron James has shown to the Smithsonian’s National Museum of African American History and Culture and to Muhammad’s legacy,” said Lonnie Ali, Ali’s widow. “This exhibit will enable children visiting the Smithsonian to learn more about Muhammad’s work outside of the ring, particularly his humanitarian work and stance on social justice for all people. Thank you to LeBron James and the Smithsonian for making this possible. I know that if Muhammad was alive today he would be honored.”

[SOURCE]

Carnival Corporation to Donate $2 Million to the National Museum of African American History & Culture

Carnival Corporation, through its philanthropic arm, Carnival Foundation, is donating $2 million to the Smithsonian Institution's National Museum of African American History & Culture.  Eleven years in the making and built at a cost of $540 million, the museum opened Sept. 24 on the National Mall with a dedication ceremony featuring remarks by President Barack Obama and a three-day music and spoken-word festival called "Freedom Sounds: A Community Celebration." In recognition of the gift, NMAAHC has designated Carnival Corporation a Founding Donor of the museum.

"The National Museum of African American History & Culture is a celebration of the many contributions African Americans have made to the history, culture and community of the United States," said Linda Coll, executive director of Carnival Foundation. "The organizations that Carnival Corporation supports through Carnival Foundation reflect the great value the company places on diversity and inclusion in the communities that we touch, and we are honored to be a part of this new museum."

The 390,000-square-foot National Museum of African American History & Culture is located on a 5-acre site adjacent to the Washington Monument. Its 12 inaugural exhibitions feature more than 3,000 objects and cover topics ranging from military and sports history to performing arts and the western and northern migration.   

Each day of the three-day "Freedom Sounds: A Community Celebration" had a theme: Friday was "Homecoming," Saturday was "Celebration" and Sunday was "Call and Response." The events and concerts highlighted music traditions such as jazz, R&B, gospel, folk, classical, New Orleans brass band, Afro-Latin jazz and hip-hop.

Stamp to be released in honor of opening of National Museum of African American History and Culture

The United States Postal Service has revealed designs for several U.S. stamps that will be issued in 2017. One of those stamps will commemorate the opening of the National Museum of African American History and Culture.

Celebrations for the opening of the Smithsonian National Museum of African American History and Culture were underway as news of this planned forever stamp was revealed. The museum, on the National Mall, opened to the public with a dedication ceremony on the morning of Sept. 24

Established by an Act of Congress in 2003, the museum is described as the only national museum devoted exclusively to the documentation of African-American life, history, and culture.

“The National Museum of African American History and Culture will be a place where all Americans can learn about the richness and diversity of the African American experience, what it means to their lives and how it helped us shape this nation,” the museum notes.

The stamp is based on a photograph of the museum by Alan Karchmer showing a view of the northwest corner of the building. USPS art director Antonio Alcala designed the stamp.