Ole Miss student Arielle Hudson named Rhodes Scholar

An Ole Miss senior is making history as the university’s first African-American female Rhodes Scholar.

Arielle Hudson is an education major at Ole Miss and in late November was chosen as one of 32 candidates from across the US to participate in the prestigious global program at the University of Oxford in the UK.

Hudson said she’s still stunned that she’s a Rhodes Scholar. Hudson becomes Ole Miss’ 27th Rhodes Scholar and the university’s first African-American woman to receive the honor.

“To be the first African-American woman, it shows how much progress is being made not only in Mississippi but also within our world,” she said.

Hudson is a second-generation Ole Miss student, studying secondary English Education. She’ll head to the University of Oxford for two years to earn dual master’s degrees and then return to Mississippi to teach for five years, as part of her undergraduate scholarship requirement.

Arielle Hudson graduates from Ole Miss in May, and she’ll head over to the UK to begin her studies in Oxford in fall 2020.

U.S. Senate passes amendment restoring $255 million in HBCU funding

The United States Senate approved a bipartisan amendment to restore millions of dollars in federal funding to historically black colleges and universities (HBCUs) and other minority-serving institutions (MSIs). Known as the FUTURE Act, the bill proposes a 10-year mandatory extension of $255 million in annual funding to HBCUs. It continues Title III funding for HBCUs and MSIs under the Higher Education Act of 1965, which previously expired at the end of September.

The proposal is paid for by simplifying the federal student aid form, which, among other things would eliminate up to 22 questions and require applicants to submit their tax information only once. According to the nonpartisan Congressional Budget Office, the changes would save taxpayers $2.8 billion over ten years, which will be used to pay for the permanent funding for HBCUs and other minority-serving institutions.

The proposal is also co-sponsored by Republican Sens. Tim Scott of South Carolina and Richard Burr of North Carolina, and Democratic Sens. Doug Jones of Alabama and Chris Coons of Delaware.

The Thurgood Marshall College Fund (TMCF) president & CEO Harry L. Williams praised elected officials for approving the bill and encouraged the House of Representatives to pass it as well without delay. “TMCF is appreciative of all of the Senators who came together, in a bipartisan way, to reaffirm the importance of and work to renew this material investment in our Nation’s post-secondary students,” he said in a press release.

Likewise, Dr. Austin A. Lane, president of Texas Southern University said, “The bipartisan support of this bill is clear validation of the value that HBCUs like Texas Southern University brings to so many first-generation college students. Thanks to the lawmakers involved, as well as the tireless support from Dr. Harry Williams and the TMCF, the passage of this bill, will help thousands of more students reach their goals – and without the financial barriers that so often get in the way.”

Rory Gamble named UAW President, becomes first African American to lead union

The UAW (United Auto Workers) International Executive Board met on December 5th and named Acting President Rory Gamble to fill the vacancy of President until the June 2022 Convention. Gamble becomes the first African American to lead the union.

“This is an honor to complete my career and serve the members of this great union in this capacity,” said Gamble. “This wasn’t planned and it is a tall order. There are difficult decisions that will need to be made in the coming months for our members. But I promise one thing, when I retire and turn over this office, we will deliver a clean union on solid footing.”

Gamble, 64, spent 12 years as Director of Region 1A before being elected Vice President and appointed to head the Ford Department in 2018.

In his initial three weeks, Gamble moved swiftly as Acting President, coalescing the IEB around a series of ethics reforms, including appointing an outside Chief Ethics Office; an internal ombudsman; policy changes; a clawback provision to recover misspent money; new financial controls including auditing and identifying and implementing stronger financial management practices.

“Together, our members, local leaders and our Board have an opportunity to set the UAW on a course for generations,” said Gamble. “There are many opportunities through new technology; new jobs; new organizing drives and collective bargaining gains to lift up our families, our communities and the middle class. We are in this together as we work through these changes and challenges.

The IEB will fill Gamble’s Vice President vacancy in January.

Rodney Harrison: First African American NYPD Chief of Detectives

The New York City Police Department announced the appointment of Chief of Detectives Rodney Harrison. The appointment makes Harrison the first black person to hold the role since the force's founding almost 200 years ago.

Chief Rodney Harrison currently serves as Chief of Patrol, playing a central role in the creation and roll-out of Neighborhood Policing to every precinct across the City. He will now serve as Chief of Detectives, overseeing the prevention, detection and investigation of crime, bringing a decade of experience supervising investigations and crime fighting prowess to build the strongest possible cases against perpetrators of criminal activity.

"Serving as Chief of Patrol has been a tremendous privilege. Through Neighborhood Policing, we have transformed how the NYPD works with community members, grounded in building strong relationships of mutual respect, toward our shared mission of safety," Harrison said.

Chief Rodney Harrison currently serves as Chief of the Patrol Services Bureau where he has overseen the bureau's Neighborhood Policing implementation. Chief Harrison began his career with the NYPD as a police cadet in June 1991. A year later, he became a police officer and patrolled the 114th Precinct in Astoria, Queens. In 1994, he was assigned to the Narcotics division and then promoted to Detective in 1995. Harrison later worked in various commands in Patrol Borough Brooklyn South and Patrol Borough Brooklyn North—including the 71 Detective Squad, 73 Detective Squad and 73 Precinct—and Patrol Borough Bronx. He served as executive officer of 47 Precinct. He has also served as commanding officer of the 28 and 32 Precincts. He was promoted to Deputy Chief while serving in the Internal Affairs Bureau and then held assignments in Patrol Borough Staten Island and Patrol Borough Brooklyn North. He then became the Chief of Detectives of Brooklyn North overseeing all investigations, before being appointed Chief of Patrol.

Congressional Black Caucus members introduce legislation banning natural hair discrimination

Washington, D.C.- Today, Congressman Cedric Richmond (LA-02) along with Congresswomen Barbara Lee (CA-13), Marcia Fudge (OH-11), Ayanna Pressley (MA-07), and Senator Cory Booker (D-N.J.) issued the following statement after introducing the Creating a Respectful and Open World for Natural Hair Act (CROWN Act):

“For far too long, Black Americans have faced senseless forms of discrimination merely because of how they choose to wear their hair. As states begin to tackle this issue, it is long overdue for Congress to act,” said Rep. Richmond. “From Louisiana to New Jersey, textured hair should never serve as a professional or educational impediment nor should it ever lead to a reprimand of consequence. In America, we regularly subscribe to the notion that our diversity is our strength. Now is the time to walk the walk, not just talk to the talk. That is why I partnered with Representatives Lee, Fudge, Pressley, Senator Booker, NAACP Legal Defense and Educational Fund, Crown Coalition advocate Adjoa B. Asamoah, and Civil Rights activist, lawyer, and #FreeTheHair Movement founder Wendy Greene to introduce this urgent legislation. Together, with this bill, we can ensure this form of discrimination no longer goes unchecked.”

“Every day, Black women and men are forced to consider if their natural hair is “appropriate” or “professional” by Eurocentric standards,” said Congresswoman Barbara Lee (CA-13). “With the introduction of the CROWN Act of 2019, we are making it clear that discrimination against Black women and men who wear their natural hairstyles is wrong and must be prohibited. I began this fight in 2014 when I stood up to the U.S. military’s policy that prohibited servicemembers from wearing natural hair, and I will continue until every woman and man is protected. With the CROWN Act, we can turn the page on forcing cultural norms that penalize Black people and other people of color from wearing their natural hair. I thank Congressman Richmond for his leadership in introducing this important bill.”

“It is disheartening that, in 2019, hair discrimination creates additional barriers for people of color in education and places of employment,” said Congresswoman Marcia L. Fudge. “Traditional hairstyles worn by African Americans are often necessary to meet our unique needs, and are a representation of our culture and ethnicity. To require anyone to change their natural appearance to acquire educational resources or a job is undeniably an infringement on their civil rights. I’m proud to be a cosponsor of the House companion of the CROWN Act, which protects against discrimination based on hair in federally funded institutions and in the workplace.”

“For too long, Black women and girls have been told that their hair is too curly, too unprofessional, too distracting” said Congresswoman Ayanna Pressley. “As a Congresswoman, I choose to wear my hair in twists because I want to intentionally create space for all of us to show up in the world as our authentic selves – whether it’s in the classroom, in the workplace or in the halls of Congress. I am proud to support the CROWN Act, which is a bold step towards ensuring that people can stand in their truth while removing the narrative that Black people should show up as anything other than who they are.”

“Discrimination against Black hair is discrimination against Black people,” Senator Booker said. “Implicit and explicit biases against natural hair are deeply ingrained in workplace norms and society at large. This is a violation of our civil rights, and it happens every day for black people across the country. You need to look no further than Gabrielle Union, who was reportedly fired because her hair was ‘too black’ — a toxic dog-whistle African Americans have had to endure for far too long. No one should be harassed, punished, or fired for the beautiful hairstyles that are true to themselves and their cultural heritage.”

11-year-old ballerina becomes first black lead in NYC Ballet's 'The Nutcracker'

Four years ago, Misty Copeland became the first African American woman to be promoted to principal dancer in the American Ballet Theatre’s 75-year history.

Now, an 11-year-old black girl is also breaking barriers as the star of the New York City Ballet’s holiday production of George Balanchine’s "The Nutcracker."

In a story first reported by The New York Times, Charlotte Nebres, a student at the School of American Ballet, danced her way into ballet history as New York City Ballet’s first black Marie, the young heroine of a show that dates back to 1954.

"It’s pretty amazing to be not only representing S.A.B., but also representing all of our cultures," Nebres told "The New York Times." "There might be a little boy or girl in the audience seeing that and saying, 'Hey, I can do that too.'"

Mom Danielle Nebres was a dancer growing up, too, and told the Times she still remembers the shock that came with hearing her daughter had won the part of Marie following her audition.

“With that poker face of hers, she said, ‘Well, I’m Marie,’” Danielle said. “And I just thought, ‘Oh my goodness — they really did it.’ I couldn’t believe it.”

Danielle added that when she told Charlotte she would be the very first black star, her daughter retorted, “Wow. That seems a little late.”

For Charlotte, the joy of dancing outweighs anything else that might be bogging down her mind.

“To me, it just feels like when I dance I feel free and I feel empowered. I feel like I can do anything when I dance,” she told the Times. “It makes me happy, and I’m going to do what makes me happy. You don’t need to think about anything else.”

[SOURCE: YAHOO]

Kamala Harris statement to her supporters on ending her presidential campaign

Kamala Harris released the following statement to her supporters via medium.com after suspending her presidential campaign.

Eleven months ago at the launch of our campaign in Oakland I told you all: “I am not perfect. But I will always speak with decency and moral clarity and treat all people with dignity and respect. I will lead with integrity. I will speak the truth.”

And that’s what I have tried to do every day of this campaign. So here’s the truth today.

I’ve taken stock and looked at this from every angle, and over the last few days have come to one of the hardest decisions of my life.

My campaign for president simply doesn’t have the financial resources we need to continue.

I’m not a billionaire. I can’t fund my own campaign. And as the campaign has gone on, it’s become harder and harder to raise the money we need to compete.

In good faith, I can’t tell you, my supporters and volunteers, that I have a path forward if I don’t believe I do.

So, to you my supporters, it is with deep regret — but also with deep gratitude — that I am suspending my campaign today.

But I want to be clear with you: I am still very much in this fight.

And I will keep fighting every day for what this campaign has been about. Justice for The People. All the people.

Our campaign has been about fighting for people whose voices that have not been heard or too often ignored.

We will keep up that fight.

Let’s remember: we were the first to put the injustice of inadequate teacher pay on the national agenda.

We will keep up that fight.

We were the first to demand justice for our children, declaring we would take bold executive actions to stop gun violence.

We will keep up that fight.

We were the first to demand justice for women with a plan to block unconstitutional state abortion laws.

We will keep up that fight.

And our campaign uniquely spoke to the experiences of Black women and people of color — and their importance to the success and future of this party. Our campaign demanded no one should be taken for granted by any political party.

We will keep up that fight because no one should be made to fight alone.

And I believe our campaign showed every child in America — regardless of their color or gender — that there are no limits to who can lead and hold positions of power in our country.

In that way — this campaign has been so much bigger than me.

I am extremely grateful to the hundreds of staff who moved and uprooted their lives and sacrificed time away from their families. I know our fight has been personal for each of them.

Of course, I could not have done this without my husband Doug and my entire family and friends who gave up so much to embark on this journey with me and have supported me every step of the way.

And I am grateful to the thousands of volunteers and contributors who chipped in, who knocked on doors, who made calls and who put their faith and trust in me. It has been the honor of my life to be your candidate.

And I want to be clear: although I am no longer running for President, I will do everything in my power to defeat Donald Trump and fight for the future of our country and the best of who we are.

I know you will too. So let’s do that together.

Let’s keep fighting for the America we believe in, an America free of injustice. An America that we know we can be unburdened by what has been.

Thank you.

— Kamala

National Museum of African American History and Culture’s Alvin Ailey Photography Collection Is Now Available to the Public

On the 30th anniversary of Alvin Ailey’s death (Dec. 1), the Smithsonian’s National Museum of African American History and Culture is making available the collection of more than 10,000 photographs chronicling the Alvin Ailey American Dance Theater from 1961 to 1994. The Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection includes 8,288 black-and-white negatives, 2,106 color slides and transparencies, and 339 black-and-white prints depicting private photo sessions, repertory by Alvin Ailey and a wide range of choreographers and iconic solo performers.

Jack Mitchell’s collection documents the dance company’s evolution while capturing the true idiosyncrasies and physicality of movement through still images. The photography showcases the innovative performances and groundbreaking artistry of Ailey, who shined a spotlight on the contributions and experiences of the African American heritage that inspired the racially diverse performances he presented that forever changed American dance and culture.

Acquired in 2013, the entire digitized photography collection has been recently made available to the public online via the Smithsonian’s Online Virtual Archives. The collection is jointly owned by the National Museum of African American History and Culture and Alvin Ailey Dance Foundation.

“To have one photographer as talented as Jack Mitchell capture the Alvin Ailey American Dance Theater’s history allows us to really witness the groundbreaking and historic nature of Alvin Ailey’s dance style and his vision for a dance company,” said Spencer Crew, interim director of the National Museum of African American History and Culture. “It’s particularly difficult to capture the essence of performing arts in photography, yet this collection showcases the ephemeral nature of the performances that made the Alvin Ailey American Dance Theater so special to so many audiences around the world.”

Mitchell’s photography vividly illustrates the evolution of Ailey’s principal dancers, notable performances and Ailey himself. The collection contains photographs of over 80 choreographed performances by Ailey, including his debut piece “Blues Suite” along with “The River” and “Revelations,” one of Ailey’s most popular and critically acclaimed pieces that tells the African American story from slavery to freedom and remains one the most beloved works of modern dance, acclaimed as a must-see and applauded by audiences around the world. The collection also features portraits of Judith Jamison, who was Ailey’s muse, most notably for the tour-de-force solo “Cry,” and who he entrusted to become artistic director before his death. Alvin Ailey American Dance Theater’s other earliest and most revered dancers are featured, including Dudley Williams, Sylvia Waters, Masazumi Chaya and Donna Wood.

“Photographer Jack Mitchell was one of the great chroniclers of the performing arts, including his iconic work with Alvin Ailey American Dance Theater for over three decades,” said artistic director emerita Judith Jamison. “Alvin Ailey was a pioneer in opening doors for performers of all backgrounds, especially black people, to share their stories in performances that inspired, enlightened and brought together all of us. He was a genius of a choreographer who celebrated African American culture and the modern dance tradition in stirring masterpieces like ‘Cry,’ ‘Blues Suite’ and ‘Revelations.’ I am thrilled that the Smithsonian’s National Museum of African American History and Culture has made this treasured collection available so the public can further experience the artistry and the history of the company and our founder Alvin Ailey.”

Jack Mitchell and Alvin Ailey

Mitchell (1925–2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Ailey (1931–1989), one of the most influential choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also captured the attention of national and international audiences. Through Mitchell’s collaboration with Ailey, and later with Jamison, they were able to produce a unique body of lasting art, fusing the meaning and movements of dance and the techniques of photography.

Following its 60th anniversary, Alvin Ailey American Dance Theater’s new season of performances begins at New York City Center Dec. 4 and runs through Jan. 5, 2020, with subsequent performances at the Kennedy Center in Washington, D.C., Feb. 4 and a national tour continuing through May.

About the National Museum of African American History and Culture

Since opening Sept. 24, 2016, the National Museum of African American History and Culture has welcomed over 6 million visitors. Occupying a prominent location next to the Washington Monument on the National Mall in Washington, D.C., the nearly 400,000-square-foot museum is the nation’s largest and most comprehensive cultural destination devoted exclusively to exploring, documenting and showcasing the African American story and its impact on American and world history. For more information about the museum, visit nmaahc.si.edu, follow @NMAAHC on Twitter, Facebook, Instagram and Snapchat—or call Smithsonian information at (202) 633-1000.

About Alvin Ailey American Dance Theater

Alvin Ailey American Dance Theater, recognized by U.S. Congressional resolution as a vital American “Cultural Ambassador to the World,” grew from a now‐fabled March 1958 performance in New York that changed forever the perception of American dance. Founded by Alvin Ailey, recent posthumous recipient of the Presidential Medal of Freedom—the nation’s highest civilian honor—and guided by Judith Jamison beginning in 1989, the company is now led by Robert Battle, whom Jamison chose to succeed her July 1, 2011. Alvin Ailey American Dance Theater has performed for an estimated 25 million people in 71 countries on six continents—as well as millions more through television broadcasts, film screenings and online platforms—promoting the uniqueness of the African American cultural experience and the preservation and enrichment of the American modern dance tradition. In addition to being the Principal Dance Company of New York City Center, where its performances have become a year‐end tradition, the Ailey company performs annually at Lincoln Center for the Performing Arts, the John F. Kennedy Center for the Performing Arts in Washington, D.C., the Auditorium Theatre in Chicago, the Adrienne Arsht Center for the Performing Arts of Miami‐Dade County in Miami, The Fox Theatre in Atlanta, Zellerbach Hall in Berkeley, California, and at the New Jersey Performing Arts Center in Newark where it is the Principal Resident Affiliate, and appears frequently in other major theaters throughout the United States and the world during extensive yearly tours. The Ailey organization also includes Ailey II (1974), a second performing company of emerging young dancers and innovative choreographers; The Ailey School (1969), one of the most extensive dance training programs in the world; Ailey Arts in Education & Community Programs, which bring dance into the classrooms, communities and lives of people of all ages; and Ailey Extension (2005), a program offering dance and fitness classes to the general public, which began with the opening of Ailey’s permanent home—the largest building dedicated to dance in New York City, the dance capital of the world—named The Joan Weill Center for Dance, at 55th Street at Ninth Avenue in New York City. For more information, visit www.alvinailey.org.

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MasterClass Announces Misty Copeland to Teach Ballet Technique and Artistry

SAN FRANCISCO, Dec. 2, 2019 /PRNewswire/ -- MasterClass, the platform that makes it possible for anyone to learn from the best, announced today that decorated prima ballerina Misty Copeland will teach ballet. Credited with both broadening the audience for classical ballet and invigorating the art form with a renewed energy, Copeland's MasterClass will offer an intimate look at how she's navigated challenges throughout her life and career to defy boundaries and become American Ballet Theatre's first African American female principal dancer. Now available exclusively at MasterClass.com, students can subscribe for unlimited access to all new and existing classes of 70+ instructors through the All-Access Pass. MasterClass categories include leadership, cooking, photography, writing, performance, and much more.

"Misty has single handedly transformed ballet," said David Rogier, co-founder and CEO of MasterClass. "In her MasterClass, she not only teaches her balance of craft and artistry, but she also brings us into her world, sharing the stories that have made her the athlete and artist she is today."

In 2015, Copeland became the first African American woman to be promoted to principal dancer in American Ballet Theatre's 75-year history. She has been an advocate for diversity and, in 2014, President Barack Obama appointed her to the President's Council on Fitness, Sports and Nutrition. She was named one of TIME's 100 most influential people, and later interviewed by President Obama for TIME and Essence magazines to discuss race, gender, achievement and creating opportunity for young people. She is an advocate and volunteer for the Boys & Girls Club of America, where she first learned ballet, as well as an ambassador for MindLeaps, a dance-centered nonprofit providing vocational training to at-risk youth in post-conflict and developing countries. She was recently featured as the lead ballerina in Disney's "The Nutcracker and The Four Realms."

"As a mentor, it's important to me to set a positive example for athletes and artists and show that with the right work ethic, dreams are possible," said Copeland. "I hope students walk away from my MasterClass with a simple way of approaching ballet technique. But, more importantly, what it takes to be confident, to accept who you are and embrace who you want to be in the future."

Dancers and performers of all kinds will learn more deeply how they can embody characters, tell stories through movement, and own a stage with a dynamic presence. Copeland's MasterClass offers an intimate look at ballet artistry and technique, and diversity and inclusion in the world of classical ballet and her journey to becoming a principal dancer at American Ballet Theatre. In her class, Copeland will reveal the technical transformation she's worked on for the past year, how to work with different choreographers, the value of seeking guidance from mentors and how working with Prince resulted in a life-changing moment for her as an artist. Through detailed technical instruction and a 120-degree view, members will watch Misty perform a real-time solo variation from Swan Lake, as well as a partner variation with American Ballet Theatre soloist Calvin Royal III as they dance the White Swan Pas de Deux together for the first time. Misty will also break down a series of stationary and movement exercises at the barre, including plié and tendu, temps lié and, in a more advanced demo, rond de jambe. Misty will also share her hopes for preserving a legacy that empowers inclusion in ballet and encourages members to be a part of the conversation around diversity to help change the perception of what a ballet dancer should be.

Copeland's MasterClass joins the 70+ classes taught by world-renowned instructors on cooking, photography, writing, performance, and much more. Each MasterClass has digestible video lessons sized to fit into any part of your day and cinematic visuals with close-up, hands-on demonstrations that make you feel one-on-one with the instructor. The All-Access Pass gives you access to every MasterClass and new ones as they launch. Learn on the go with mobile apps or in the comfort of your home with Apple TV. Subscribe to greatness at MASTERCLASS.COM.

Montgomery, Alabama unveils Rosa Parks statue

A new statue of civil rights pioneer Rosa Parks was unveiled in downtown Montgomery on December 1, 2019.

“This depiction will inspire future generations to make the pilgrimage to our city, to push toward the path of righteousness, strength, courage and equality,” said Montgomery Mayor Steven Reed, who took office as the first African-American mayor of the city last month.

Gov. Kay Ivey and Reed took part in pulling down a shroud to unveil the statue at Montgomery Plaza at the Court Street Fountain, 30 feet from the spot where Parks is believed to have boarded the segregated bus where she refused to give up her seat to a white man on Dec. 1, 1955.

“We are here to be reminded of the struggle so future generations can do better, and be better,” Ivey said. “No one has ever stood so tall as did Rosa Parks when she sat down.”

Dec. 1 is now Rosa Parks Day, commemorating her arrest, which sparked the Montgomery Bus Boycott.

The statue of Parks depicts her standing, with her hands clutching her purse in front of her.

Granite markers at the site will honor four women who were plaintiffs in Browder vs. Gayle, the court case that led to a ruling that segregation on Montgomery’s public buses was unconstitutional.

The civil rights memorials are a partnership between the City of Montgomery, Montgomery County, the Alabama Department of Tourism and the Montgomery Area Business Committee for the Arts.

Montgomery County artist Clydetta Fulmer was commissioned to complete the work in conjunction with city and state bicentennial commemorations.

[SOURCE: AL.Com]

Missing Black Woman Alert: Jarae Frink-Shepard is missing!

CHICAGO-Jarae Frink-Shepard, 22, has been missing from the South Side since Friday.

Police said she was last seen near 46th and Drexel, and was wearing a red jacket, red shirt, and tan pants.

She is a 5-foot-4, 145-pound African American woman, with brown eyes and black hair.

Anyone with information on her whereabouts should call Area Central Special Victims Unit detectives at 312-747-8380.

Cory Booker appeals for donations to keep 2020 campaign afloat

Struggling to keep his presidential campaign afloat, New Jersey Senator Cory Booker appeared on "Face the Nation." and appealed for donations to ensure he can qualify for the next debate and continue his months-long pursuit of a spot in the top tier of the Democratic primary field.

Rep. Marcia Fudge not happy with Kamala Harris campaign manager

A recent NY Times article has painted a picture of the Kamala Harris presidential campaign as failing and lacking direction or leadership.

Several staffers have left the campaign and one of those staffers Kelly Mehlenbecher, the campaign’s state operations director, wrote a blistering resignation letter that paints a picture of low morale among staffers of a directionless campaign with "no real plan to win" ahead of the crucial Iowa caucus in 2020.

In the letter Mehlenbecher lays much of the blame at the feet of campaign manager Juan Rodriguez.

Others including an early supporter, Rep. Marcia Fudge (D-Ohio) have also chimed in the leadership of Rodriguez.

"I have told her there needs to be a change," Fudge told the Times. "The weakness is at the top. And it's clearly Juan. He needs to take responsibility — that's where the buck stops."

Blake Bolden Named National Womens Hockey League Defender of the Year

NOTE: This award was given to Blake Bolden in March of 2019, but it's definitely a story that went under the radar. It's also a story that didn't get the attention it deserved which is why it's being posted now. George L. Cook III AfricanAmericanReports.

Former Boston College women's hockey standout Blake Bolden '13 was named the National Women's Hockey League Defender of the Year , as announced by the league's office.

In 16 regular season games, Bolden registered 13 points on one goal and 12 assists to tie for the league lead among defenders, while also firing 47 shots on goal and blocked 11 shots. In Buffalo's run to the Isobel Cup Final, she added two assists and six blocked shots. Bolden committed just two penalties on the year and finished with a plus-11 rating. She had at least one point in 12 of her 18 games. The NWHL all-star helped anchor a Buffalo defense that put up four shutouts on the season and a league-best 1.50 goals against per game.

"Blake has proven to be successful at every level she has had the opportunity to play at," said BC head coach Katie Crowley. "She is a tremendous role model, leader and person and I am so happy for her to be rewarded for her continued success on the ice."

Bolden is sixth all-time in BC history in defenseman career scoring with 82 points, while her 26 goals rank fourth and her 56 assists sit sixth. She was a Second Team All-American and Hockey East Best Defenseman as a senior in 2013.

Congressional Black Caucus Visits US-Mexico Border In San Ysidro After African Migrant's Death

Thousands of Black migrants from around the globe seeking new lives in America are instead stuck in limbo in Mexico. Amid reports of their mistreatment and an African migrant’s death, several members of Congress recently traveled across the U.S.-Mexico border to meet the asylum seekers.

Reps. Karen Bass (D-CA), Barbara Lee (D-CA), and Yvette Clarke (D-NY) of the Congressional Black Caucus visited Tijuana, Mexico, on Friday. Also making the trip was Rep. Juan Vargas (D-CA), a member of the Congressional Hispanic Caucus whose California district includes the border.

The Congresswomen told BET they heard “horrific” stories from about 50 “mostly young men and women” hailing from Africa, the Caribbean and beyond. All have been impacted by the Migrant Protection Protocols, known informally as the “Remain In Mexico” policy. Implemented in January 2019 by the Trump Administration, the U.S. now returns non-Mexican migrants to Mexico to await immigration court decisions.

Immigration advocates told the visiting members of Congress there are at least 5,000 Black asylum seekers currently in Tapachula, Mexico -- part of an estimated 15,000 Black migrants throughout Mexico. They hail from across the Black Diaspora, with most from Cameroon, the Congo, Ethiopia, Eritrea and Haiti, according to advocates. Black migrants say they’ve faced racism, physical and sexual violence, language barriers and other trauma.

“African and Caribbean immigrants who immigrate to the United States of America are treated as if they are invisible,” said Bass, chairwoman of the 55-member CBC. “Many arrived in South America and then walked north, all to be dehumanized and mistreated at our southern border. We [went] to the border to hear what they have been through. They are an important piece of this story.”

Today, more people than ever live in countries other than the one of their birth, either by choice or necessity. According to the United Nations, the number of migrants globally in 2019 reached an estimated 272 million -- 51 million more than in 2010. Women constituted 48 percent of migrants, and about 38 million migrants are children.

Pew Research Center data indicates 4.2 million Black immigrants reside in the U.S. The reasons for their arrival vary; some are fleeing war and conflict, economic insecurity, or gender-based bias and violence. Climate change is increasingly a factor in people being displaced. Many envision new lives in America where the Statue of Liberty inscription notes in part: “Give me your tired, your poor/ Your huddled masses yearning to breathe free.”

Yet the story of immigration under Donald Trump’s presidency has been rife with controversy. On the campaign trail, Trump promised to do away with Deferred Action for Childhood Arrivals, known as DACA. Created in 2012 by President Barack Obamavia executive order, DACA enabled certain undocumented immigrants who’d arrived in America before their 16th birthday to receive work permits and exemption from deportation for two years. The Supreme Court is currently deciding whether DACA is lawful and can continue; a ruling is expected in 2020.

The Trump administration has also put in place a travel ban impacting several majority Muslim countries. There was also a “zero tolerance” policy that resulted in thousands of families being forcibly separated at the southern U.S. border; babies have been torn from their mothers, and children and adults have been detained in cages. Meanwhile, Trump’s reported `s**thole’ comment about Haiti and African nations (which he denied), and determination to build a border wall have led to protests from advocacy groups and legal challenges.

“Trump’s white nationalist agenda has been harming immigrants since Day 1 of his presidency,” said Lee, a Senior Democratic Whip and senior member of the House Appropriations Committee. “These cruel and bigoted policies have no place in a nation built by immigrants from all walks of life, and we all must keep pushing back so that his xenophobic vision of America does not become our America.”

After visiting Mexico, the CBC members and Rep. Vargas returned to San Ysidro, California, for a Congressional Field Hearing hosted by the House Foreign Affairs Subcommittee on Africa, Global Health, Global Human Rights and International Organizations. Bass, who also chairs that subcommittee, said the purpose was to examine the global migrant surge from a humanitarian perspective and hear testimony from experts.

“How is it that some of the poorest nations around the world can take in people in crisis,” she asked. “What can we learn from these countries? What are the international protocols, norms, standards, and practices that should be followed? I want to know, what can we learn from other countries around the world. But mostly, I want to understand where the United States is with regard to these practices, norms and standards.”

The hearing included testimony from Doug Stephens, a lawyer and former U.S. asylum official who has challenged the legality of the Mexico policy; Kate Clark, Senior Director of Immigration Services for the Jewish Family Service of San Diego which is aiding migrants; Charanya Krishnaswami, Americas Advocacy Director for Amnesty International USA; and Nana Gyamfi, Executive Director of the Black Alliance for Just Immigration (BAJI).

Gyamfi, dedicated her remarks to the late Nebane Abienwi, a 37-year-old asylum seeker from Cameroon. He died on October 1, 2019, reportedly in the custody of the U.S. Immigration and Customs Enforcement (ICE).

Abienwi reportedly arrived at the San Ysidro Port of Entry on September 5, 2019, requesting asylum. About two weeks later, he was sent to the Otay Mesa Detention Center in San Diego. Reportedly, he experienced a hypertensive event in ICE custody, and was transported to a medical center on September 26, 2019. After undergoing treatment for a brain hemorrhage, he was later taken off life support (reportedly against his family’s wishes) and died.

“I want us to take a moment to think about why someone would risk their lives and travel thousands of miles from home to a strange land?” said Gyamfi in testimony provided to BET. “They have experienced physical harm, sexual assault, death of their family and friends, loss of personal items including documentation, family heirlooms, life’s savings and whatever little personal safety that they had. The individual and collective trauma that they hold is unimaginable.”

Gyamfi testified that the asylum process at Tapachula, Mexico, requires migrants to be taken into custody and held in the largest detention center in Latin America, known as Siglio XXI (Century 21). BAJI has been going to Tapachula since August of this year, she said. “Black migrants complain of racist maltreatment in the detention center, including being fed maggot-filled food, being denied health care and sanitary conditions, being forced to sign paperwork written in a language they do not understand, and being stripped of their nationality and declared ‘stateless.’”

Gyami added that U.S. foreign policy — from the failed war on drugs to trade issues — have exacerbated tenuous conditions abroad, spurring migration across the globe.

Rep. Clarke is the daughter of Jamaican immigrants and chairs the CBC’s Task Force on Immigration. The Congresswoman told BET she believes the crisis at the Mexican border is a direct consequence of the Trump administration’s threats of punitive measures to Mexico. There’s also been pressure on Central American countries such as Guatemala, Honduras and El Salvador, known as the Northern Triangle.

Advocates say migrants from the Northern Triangle journeying to the U.S. often cross the border between Guatemala and Mexico. When that region saw an increase in Black migrants earlier this year, Mexico honored the migrants’ right to asylum and allowed them transit, exit visas and travel to its northern border to apply for asylum in the U.S.

However, after President Trump threatened to impose harsh tariffs on Mexico if it didn’t stem the flow of migrants to the border, the country changed its immigration policy to require migrants to apply for asylum and residency in Mexico. “It’s a bullying tactic,” said Clarke, “to bring the hammer down on nations that are vulnerable themselves.”

Trump and administration officials have countered criticism of its immigration policies by saying they are meant to secure U.S borders, prevent criminals from entering, and protect American workers and resources. In a November 14 press briefing, Mark Morgan, Acting Commissioner of U.S. Customs and Border Protection, suggested Congress was to blame.

“If you recall, earlier this year we sounded an alarm — actually, quite a bit — with respect to the border crisis and asking Congress repeatedly to act to fix the loopholes in our broken immigration system, and close the gaps driving this crisis. Unfortunately, not a single piece of meaningful legislation has been brought forward.”

He continued, “And as a result, this country stood by and watched as the crisis worsened, as we reached our peak in May of over 140,000 apprehensions in a single month. However, in the continued absence of congressional action, the President, along with his administration, as well as our hardworking men and women of the Customs and Border Protection and our partner agencies, has taken action. Through continued engagement with the government of Mexico and the Northern Triangle countries, we have initiated a network of initiatives, policies, and of regulations to stem the flow of the migration. Together, we are approaching this as the regional crisis that it is, and we have seen incredible success.”

Immigration has proven a partisan issue in Congress, but legislation has been introduced. Among the latest is the Refugee Protection Act of 2019. U.S. Senators Patrick Leahy (D-VT), Kamala D. Harris (D-CA), Cory Booker (D-NJ) and Rep. Zoe Lofgren (D-CA) are among the lawmakers who led the introduction of the measure. In a press release, the measure is described as a “comprehensive blueprint for restoring and reinvigorating U.S. refugee and asylum systems.” The Senate bill is cosponsored by at least 16 lawmakers, while a companion House bill is cosponsored by at least 31 members.

“The United States must always be a place where refugees are welcomed and encouraged to contribute to society,” said Harris, who added that the measure would help guarantee that refugees and asylum-seekers are welcomed and supported, and “that our immigration system respects the basic dignity of every human being.”

Illinois City To Use Cannabis Revenue For Reparations Fund For African-American Residents

The City of Evanston, Illinois is taking on a controversial topic – reparations.

Due to the efforts of 5th Ward Alderman Robin Rue Simmons, Evanston will start putting money in a fund to address the north suburban city’s decline in African-American residents, among other issues. The fund will be financed by revenue from cannabis – which becomes legal for recreational use in Illinois on Jan. 1.

The objective is to help African-Americans thrive in Evanston. Such a fund for reparations is a step that no other city in the country has accomplished.

Ghana granted citizenship to over 100 African Americans as part of Year of Return

As Osibisa’s “Welcome Home” played in the background, 100 African-Americans and 26 Afro-Caribbeans, dressed in colorful traditional costumes, became Ghana’s newest citizens.

The oath of allegiance was administered by a judge in a ceremony at Jubilee House, the seat of government. The ceremony is the biggest highlight as Ghana marks 2019 as the Year of Return. One after the other, the new citizens took turns to shake hands with their president and went on to collect their citizenship certificates.

“On behalf of the government and people of Ghana, I congratulate you once again on resuming your identity as Ghanaians,” President Nana Akufo-Addo said in a speech on Wednesday, Nov. 27.

As Quartz Africa has previously reported, throughout 2019, Ghana has been hosting a raft of activities, at home and abroad, to encourage the descendants of those who were forcibly sent away to return. In June, the president embarked on a five-nation tour of the Caribbean to promote the initiative.

“We recognize our unique position as the location for 75% of the slave dungeons built on the west coast of Africa through which the slaves were transported. That is why we had a responsibility to extend the hand of welcome, back home to Africans in the diaspora,” the president added in his speech.

“The most valuable possession that was taken away from us was our identity and our connection; it was like severing the umbilical cord… But tonight, our identity, the dignity, the pride that has been absent is restored here,” Rabbi Kohain, who spoke on behalf of the new citizens said.

Aside from sentimental reasons, the return of the African diaspora is economically pragmatic for Ghana. Earlier this year, the government waived visa requirements for some countries and slashed the cost of a visa on arrival in half in hopes that heritage tourism will bring in much-needed revenue.

About 500,000 tourists are expected to visit Ghana during the Year of Return; up from the 380,000 that visited in 2018. Businesses are eagerly anticipating an influx of visitors over the festive season with the Afro Nation and Afrochella festivals expected to attract thousands of young diasporan Africans. In the US this year, Ghana has been heralded as a major end-of-year vacation destination among some African American celebrities, black college alumni organizations and similar groups.

[SOURCE: QUARTZ AFRICA]

BET Networks to Broadcast the 51st NAACP Image Awards Live on February 22, 2020

NEW YORK--(BUSINESS WIRE)--The NAACP and BET Networks announced a broadcast partnership to air the 51st NAACP Image Awards. The telecast will take place from Pasadena, California and will air on BET Networks for the first time ever. The announcement was made today by NAACP National Board of Directors Chairman Leon W. Russell, NAACP President and CEO Derrick Johnson, President of BET Networks Scott Mills and Executive Vice-President, Specials, Music Programming & Music Strategy Connie Orlando. The NAACP Image Awards is the preeminent event celebrating the accomplishments of people of color in the fields of television, music, literature, and film and also honors individuals or groups who promote social justice through creative endeavors.

“We’re proud to partner with BET Networks to showcase the incredible breadth of Black excellence in television, film, music, and literature, and to bring awareness to the social justice and economic empowerment work of the NAACP,” said Johnson. “Through its diverse platforms, BET delivers culturally enriching and entertaining content to a wide and multigenerational audience. As we head into a critical 2020 election and Census, the collaboration with BET will be critical to reaching our shared communities.”

“The NAACP is vitally important, and BET Networks shares the organization’s commitment to our community and social impact,” added Mills. “With the NAACP’s half-century of history acknowledging the achievements of African Americans across entertainment and activism, this partnership allows BET to further our mission to entertain, engage and empower our viewers by delivering this cultural pillar to the communities we serve. We’re thrilled to welcome the NAACP Image Awards home to BET.”

Karen Boykin-Towns, NAACP National Board of Directors Vice-Chairman is the newly appointed Chairman of the NAACP Image Awards Planning Committee and will provide strategic guidance and leadership. Eris Sims, Chief of Staff will oversee all NAACP Image Awards events and activities.

“We are excited that two storied organizations, NAACP and BET, are partnering to cultivate innovative approaches to our work and to deliver a transformative experience that inspires and empowers the Black community. This is a natural partnership and one which aligns with our strategic focus,” said Boykin-Towns. “We are confident that the NAACP Image Awards will continue to grow in both impact and legacy.”

One of the most iconic annual celebrations of black excellence, the NAACP Image Awards draws a crowd of the biggest and brightest stars in Hollywood. Previous years attendees include Oprah Winfrey, Will Smith, Taraji P. Henson, Viola Davis, Gabrielle Union, Kerry Washington, Anthony Anderson, Sterling K. Brown, Mandy Moore, Halle Berry, Common, Dwayne Johnson, Steve Harvey, Audra Day, John Legend, Lena Waithe, Tracee Ellis Ross, David Oyelowo, Laverne Cox, Octavia Spencer, Issa Rae, Trevor Noah, Terry Crews, Yara Shahidi, Danai Gurira, Jacob Latimore, Jay Pharoah, Jemele Hill, Josh Gad, Loretta Devine, Michael B. Jordan, Sylvester Stallone, Meta Golding, Michael Smith, Tyler James Williams, Ava DuVernay, Chadwick Boseman, and many more.

“It is our honor to partner with the NAACP as the exclusive broadcast partner of the Image Awards, one of the most influential Award Shows in the black community,” said Orlando. “We will celebrate and acknowledge the excellence and achievements of African-Americans in television, music, arts and give special recognition to the artists that have thrilled us and shaped the past the year in black culture. As we head into our 40th anniversary, it is only right to start off 2020 with this monumental partnership and bring the legacy of NAACP Image Awards to BET.”

New Episodes of The Proud Family Are Coming to Disney Plus

The Proud Family is coming back for more wacky adventures.

The beloved animated sitcom, which aired on Disney Channel from 2001-2005, is bringing new episodes in 2020 — according to Jo Marie Payton, who played Suga Mama Proud on the series.

Payton, 69, broke the news on Wednesday during an interview on Strahan, Sara & Keke after cohost Keke Palmer asked the actress if she was anything like her sassy character.

“Yeah,” said Payton, which earned laughs from the audience. “Suga Mama’s large and in charge, that’s all I got to say. Except for, Suga Mama will be doing some new episodes come February.”

Payton then confirmed to Palmer that the new episodes would be airing on Disney’s new streaming service, Disney+ , which debuted earlier this month.

[SOURCE: YAHOO]

Obama's warning to 2020 Democratic candidates

Former President Barack Obama urges the field of Democratic presidential hopefuls to "pay some attention to where voters actually are," warning them about going so far on certain policies that they become out of step with voters.